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Titlebook: Reading the Past Across Space and Time; Receptions and World Brenda Deen Schildgen,Ralph Hexter Book 2016 The Editor(s) (if applicable) and

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樓主: mentor
21#
發(fā)表于 2025-3-25 04:21:33 | 只看該作者
22#
發(fā)表于 2025-3-25 10:06:53 | 只看該作者
Epic Worldsmmunity and no other. Receptions studies ask how epic has evolved, and how later audiences, members of other communities, have received it. This paper recalls moments in the reception of epic from Greco-Roman antiquity to the “old” world’s encounter with the “new.” Some of these encounters involved
23#
發(fā)表于 2025-3-25 14:48:41 | 只看該作者
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發(fā)表于 2025-3-25 16:20:25 | 只看該作者
25#
發(fā)表于 2025-3-25 23:50:40 | 只看該作者
Reception Configurations: The Case of European Epic in Indiaes of how literary networks in the colonial context can operate. Although the relationship between the author and his or her reservoir of models may be both politically and culturally asymmetrical, this essay argues that in the process of reception the author sets out to position himself or herself
26#
發(fā)表于 2025-3-26 00:54:11 | 只看該作者
27#
發(fā)表于 2025-3-26 08:16:22 | 只看該作者
Disagreement and Reception: Peripatetics Responding to the Stoic Challengelights the case of an older, marginalized position that tries to reinsert itself into the debate through radical modernization of its terminology and argumentative strategies and thereby triggers various forms of orthodox response. Part two discusses examples for this scenario extracted from some of
28#
發(fā)表于 2025-3-26 08:44:22 | 只看該作者
“Now We Must Consider That Some of the Ancients Discovered the Truth”: Reception and Antiquity in Animplicius (c. 490–560 CE). It examines a possible tension between two approaches to the reception of philosophical views: in one approach, the philosopher already knows which views are true, and philosophical practice is a matter of correctly excavating and explaining those views; in a different app
29#
發(fā)表于 2025-3-26 16:22:54 | 只看該作者
30#
發(fā)表于 2025-3-26 19:29:48 | 只看該作者
A Third ,: Hans Henny Jahnn’s , and the Introduction of the “Sumerian” to Modern German Literature’s sons against the motif of Gilgamesh and Enkidu. Recognized as an important expressionist dramatist, Jahnn’s most important contribution, this essay argues, remains unacknowledged: . represents an apex of German literary modernism, as it resolves a constellation of overlapping and often contradict
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