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Titlebook: Reading Popular Culture in Victorian Print; Belgravia and Sensat Alberto Gabriele Book 2009 Palgrave Macmillan, a division of Nature Americ

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發(fā)表于 2025-3-21 18:46:06 | 只看該作者 |倒序瀏覽 |閱讀模式
書目名稱Reading Popular Culture in Victorian Print
副標題Belgravia and Sensat
編輯Alberto Gabriele
視頻videohttp://file.papertrans.cn/822/821987/821987.mp4
叢書名稱Nineteenth-Century Major Lives and Letters
圖書封面Titlebook: Reading Popular Culture in Victorian Print; Belgravia and Sensat Alberto Gabriele Book 2009 Palgrave Macmillan, a division of Nature Americ
描述Reading Popular Culture in Victorian Print: Belgravia and Sensationalism is a comprehensive study of the whole run of the monthly periodical Belgravia under the direction of Mary Elizabeth Braddon. It traces the material history of the magazine, its production and global distribution while at the same time placing its history and content in the context of Victorian popular culture and Victorian discursive formations. Among the questions Reading Popular Culture in Victorian Print investigates are the status of authors in the marketplace, the innovative place Belgravia holds in the history of print culture, the rhetoric of sensationalism in fiction, journalism and pre-cinema, the representation of trade with India, and the use of urban space as a branding strategy. It makes the claim that the periodical is the sensation novel of the 1860s.
出版日期Book 2009
關(guān)鍵詞drama; English literature; film; Print; english; British and Irish Literature
版次1
doihttps://doi.org/10.1057/9780230101272
isbn_ebook978-0-230-10127-2Series ISSN 2691-1256 Series E-ISSN 2634-5218
issn_series 2691-1256
copyrightPalgrave Macmillan, a division of Nature America Inc. 2009
The information of publication is updating

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發(fā)表于 2025-3-21 21:25:27 | 只看該作者
,The Case of Mary Elizabeth Braddon’s ,: Research Methodology for a New Intertextual Reading of the search focusing on the periodical press is confronted with fragmented findings: the single issues that originally circulated are often lost, together with the advertising sheets. Even the volumes of the bound collections are heterogeneous: each volume carries very unique traces of its own history. I
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The Redefinition of the Public Sphere in the Nineteenth-Century Periodical Press: Mary Elizabeth Brvements introduced since the Reform Bill of 1832. What he called the “emancipation of the press” allowed for a broader circulation of papers that covered political life “in numbers almost defying the powers of statistics.”
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發(fā)表于 2025-3-22 11:17:37 | 只看該作者
The Cultural Trope of Sensationalism: Advertising, Industrial Journalism, and Global Trade in ,l examine the impact of sensationalism in the rhetoric of advertisements, newspaper articles, and in a novel on the East India Company that appeared anonymously in . in 1868–69. Sensationalism acted as a powerful social and cultural force upon which separate cultural practices of Victorian England h
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發(fā)表于 2025-3-22 14:31:41 | 只看該作者
Sensationalism and the Early History of Film: From Magic Lantern to the Silent Film Serial Drama of years later Vizetelly could promote a whole series of French “detective” novels by marketing them as “French sensation novels.” Publishers of books and periodicals were able to swarm the market with countless, readily available titles that supplied a strong demand for riveting stories full of shock
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發(fā)表于 2025-3-23 00:49:25 | 只看該作者
,The Case of Mary Elizabeth Braddon’s ,: Research Methodology for a New Intertextual Reading of the is only the last step in a production process whose history entails shifts in price, design, and layout. These scattered findings exercise a centrifugal pull that resists the conventions of historiographical narrative.
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發(fā)表于 2025-3-23 02:33:04 | 只看該作者
2691-1256 Belgravia under the direction of Mary Elizabeth Braddon. It traces the material history of the magazine, its production and global distribution while at the same time placing its history and content in the context of Victorian popular culture and Victorian discursive formations. Among the questions
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發(fā)表于 2025-3-23 08:30:04 | 只看該作者
Book 2009 under the direction of Mary Elizabeth Braddon. It traces the material history of the magazine, its production and global distribution while at the same time placing its history and content in the context of Victorian popular culture and Victorian discursive formations. Among the questions Reading P
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