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Titlebook: Reading Jane Austen After Reading Charlotte Smith; Jacqueline M. Labbe Book 2020 The Editor(s) (if applicable) and The Author(s) 2020 Afte

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樓主: Lensometer
11#
發(fā)表于 2025-3-23 12:41:58 | 只看該作者
12#
發(fā)表于 2025-3-23 15:00:16 | 只看該作者
13#
發(fā)表于 2025-3-23 21:32:57 | 只看該作者
14#
發(fā)表于 2025-3-24 00:05:02 | 只看該作者
Model: ,s key plot points within a broad range of Austen novels allows for an exploration of how an author like Austen uses a template to ground her story-telling. The . template suggests that Austen invests her narrative with an analogous, albeit tempered, mood. The chapter will explore ideas of plunder, modelling, and the generic.
15#
發(fā)表于 2025-3-24 06:09:28 | 只看該作者
Mood: (In)Sensibility,ongly, violently, and badly compels plots in which characters suffer and cause suffering. But why do characters need to suffer? Why should love provoke violence? Why does sensibility mute its victims? The chapter demonstrates how Smith, and then Austen, mandate that sensibility-as-mood reverse and undo itself.
16#
發(fā)表于 2025-3-24 09:59:49 | 只看該作者
17#
發(fā)表于 2025-3-24 12:45:14 | 只看該作者
Mode: Women and Men/Type and Stereotype,develops Smith’s approach by writing spirited women ‘two ways’: Elizabeth Bennet and Mary Crawford, for instance, share a personality but not a plot. The chapter suggests that Smith’s interest in varying modes marks a path for Austen.
18#
發(fā)表于 2025-3-24 18:14:04 | 只看該作者
19#
發(fā)表于 2025-3-24 19:30:09 | 只看該作者
Book 2020es that Smith.had a deep and lasting impact on Austen, but this is not an influence study. Instead,.it argues for the possibility that two authors who never met could between them.write something into being, both responding to and creating a novelistic zeitgeist..This, the book argues, can be called
20#
發(fā)表于 2025-3-25 00:51:10 | 只看該作者
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