Titlebook: Reading Coetzee‘s Women; Sue Kossew,Melinda Harvey Book 2019 The Editor(s) (if applicable) and The Author(s) 2019 Coetzee.Women.Gender.Voi

TOM

He and His Woman: Passing Performances and Coetzee’s Dialogic Dragtigator who emerged during the interstitial space between his South African fictions and his citizenship in Australia, where he moved after publishing 1999s .. Over the last four decades, Coetzee’s engagement with white female subjectivity has taken three different yet sequential forms: first, via h

反話

Molly Bloom and Elizabeth Costello: Coetzee’s Female Characters and the Limits of the Sympathetic Im cites her novel . and its representation of the life of Molly Bloom outside of Joyce’s .. This chapter asks how seriously we can take this argument, and what is its relation to Coetzee’s own thinking of his way into the existence of Elizabeth Costello, Magda, Mrs Curren, and Susan Barton. Is the et

心胸開闊

繼而發(fā)生

Art and the Female in ,: Between Joyce and Beckettoire within the intertextual framework of James Joyce’s . and Samuel Beckett’s .. Stewart explores the dynamic between art and the female figure wherein the female is portrayed as a gateway to artistic expression at the same time as a threat to artistic autonomy. Via Joyce and Beckett, Stewart demon

enumaerate

‘Beauty Does Not Own Itself’: Coetzee’s Feminist Critique of Platonic and Kantian Aestheticsinsight into Coetzee’s interrogation of Platonic ideas of love and Kantian disinterested aesthetics, inflected by Cervantes and Samuel Richardson, in her examination of three novels: ., ., and .. Arguing that Coetzee engages the question of whether a ‘male-writer-pornographer’ can represent power an

政府

欺騙世家

安心地散步

The Fixation on the Womb and the Ambiguity of the Mother in the desire to return to the womb. Closely analysing the novel in this light, Tajiri argues that a particular kind of ambiguity concerning K’s relationship with his mother is created by the coexistence of his conscious identification with mother earth and his unconscious desire to be back to the con

擴(kuò)大

‘God Knows Whether There Is a Dulcinea in This World or Not’: Idealised Passion and Undecidable Desifemale relationships as characterised by a constant conflict between the real and the ideal, imagination and physicality. Arguing that this conflict owes much to Don Quixote’s relation to Dulcinea, to which Coetzee’s texts repeatedly turn, López analyses the ways in which Coetzee’s texts explore the

Individual