Titlebook: Reading Books and Prints as Cultural Objects; Evanghelia Stead Book 2018 The Editor(s) (if applicable) and The Author(s) 2018 Media studie

習慣

書目名稱Reading Books and Prints as Cultural Objects影響因子(影響力)




書目名稱Reading Books and Prints as Cultural Objects影響因子(影響力)學科排名




書目名稱Reading Books and Prints as Cultural Objects網(wǎng)絡(luò)公開度




書目名稱Reading Books and Prints as Cultural Objects網(wǎng)絡(luò)公開度學科排名




書目名稱Reading Books and Prints as Cultural Objects被引頻次




書目名稱Reading Books and Prints as Cultural Objects被引頻次學科排名




書目名稱Reading Books and Prints as Cultural Objects年度引用




書目名稱Reading Books and Prints as Cultural Objects年度引用學科排名




書目名稱Reading Books and Prints as Cultural Objects讀者反饋




書目名稱Reading Books and Prints as Cultural Objects讀者反饋學科排名

金桌活畫面

978-3-319-85252-2The Editor(s) (if applicable) and The Author(s) 2018

秘方藥

辯論

New Directions in Book Historyhttp://image.papertrans.cn/r/image/821931.jpg

難聽的聲音

https://doi.org/10.1007/978-3-319-53832-7Media studies; Reading theory; Culture theory; manuscripts; interdisciplinary; book history

開始發(fā)作

Book 2018s medieval manuscripts to e-readers. Inventive methodology offers numerous insights into visual, manuscript and print culture: material objects relate to meaning and reading processes; images and texts are examined in varied associations; the symbolic, representational and cultural agency of books a

conduct

antedate

seroma

FACET

Illustration and the Book as Cultural Object: Arthur Schnitzler’s Works in German and English Editio contemporary artistic movements and styles, such as Romanticism, Realism, Art Nouveau, Cubism, Pop Art, and comics, show that images accommodate and afford a broad variety of textual readings. Details characteristic of the original may be lost in translation, but the illustrated works host meaningful cultural reinterpretation.