Titlebook: Re-Presenting Ben Jonson; Text, History, Perfo Martin Butler (Professor of English Renaissance Dr Book 1999 Palgrave Macmillan, a division

Cocker

粘土

2634-5919 son (1925-52). In this monumental edition, Jonson seems a remote and forbidding figure, an author of formidable learning and literariness. This collection of essays by twelve leading scholars, editors, historians and bibliographers explores ways in which modern understanding of Jonson‘s texts has un

止痛藥

Introduction: from , to Texts,t, the Oxford edition is the necessary point of reference for all work on Jonson. It is, though, increasingly apparent that its value has gradually diminished as the overall state of knowledge about Jonson’s time has increased, and as the cultural and pedagogical climate within which he is read has altered.

精致

Book 199952). In this monumental edition, Jonson seems a remote and forbidding figure, an author of formidable learning and literariness. This collection of essays by twelve leading scholars, editors, historians and bibliographers explores ways in which modern understanding of Jonson‘s texts has undermined t

BILL

invulnerable

The Swan Song of the Stage Historian,ill be more than verbal, and that a short account of the Swan productions will both fill a gap in Jonson’s stage history and provide a basis on which to discuss a larger question: how, in the specific case of this dramatist, should an editor use such material?

AXIOM

majestic

Forms of Authority in the Early Texts of ,x, dense and ironic — and the Jonson more recently appropriated wholesale by critics spellbound by Foucauldian power-theory. The Jonson encountered by most twentieth-century critics has been to a great extent defined by the edition of Herford and Simpson, for which the epithet ‘monumental’ has become something of a cliché.

OGLE

blithe