Titlebook: Rap Beyond Resistance; Staging Power in Con Cristina Moreno Almeida Book 2017 The Editor(s) (if applicable) and The Author(s) 2017 Morocco.

Arthropathy

黑豹

Rap and the Revival of Patriotism,that changed the Moroccan music scene in the 1970s. This chapter examines patriotic rap songs, looking closely at lyrics as well as images to suggest that some rappers use them as tools for social control by the state because they endorse its agenda. It suggests that rap cannot and should not be ess

Allergic

Branding Patriotism, Commodifying Resistance,es and rooftops have featured in politically significant music videos and posters, embodying contentious dynamics of power between different patrons of the arts. On the one hand, the state has promoted narratives where rappers on rooftops singing songs in line with the state agenda symbolize the pow

Confidential

Banister

Economies of Resistance,ture are related to narratives of opposition. Time spent in Moroccan home music studios, conversations with rappers, and following one of them on the journey to get his music registered at the Moroccan Copyright Office were invaluable in unravelling the intricacies of royalties. This chapter argues

審問(wèn),審訊

Introduction: The Straightjacket of Resistance,s examples from journalism and academia suggesting that artistic productions that do not fit this view are not considered as cultural resistance. It therefore sets the tone for the main argument of the book, namely the need to think about culture in the MENA region beyond narratives of co-option and resistance.

medium

Brain-Imaging

Visual Representations of Power: Urban Spaces and Rooftops,proves to be ineffective for young Moroccan audiences. This cultural production underlines the need to analyse cultural resistance locally and in relation to the political economy of the cultural field.

Brain-Waves

2634-6613 ements in non-Western cultural contexts.Connects the productThis book fills the gap in existing literature by exploring other forms of political discourses in non-Western rap music. Theoretically, it challenges and explores resistance, arguing towards the need for different epistemological framework

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