Titlebook: Radical Larkin; Seven Types of Techn John Osborne Book 2014 Palgrave Macmillan, a division of Macmillan Publishers Limited 2014 Analyse.bib

溫室

bypass

Radical Ellipsis: ,.. These techniques include ellipsis, a four-act structure with closing reversal, asymmetrical stanza lengths and rhyme schemes, plus a battery of disaggregative linguistic devices such as split similes, negative qualifiers, oxymora and rampant paronomasia. Together these techniques constitute the i

lambaste

,Radical Ekphrasis: ‘An Arundel Tomb’, ‘The Card-Players’, ‘Lines on a Young Lady’s Photograph Albumroduction to . (1955), the first anthology of the Movement generation, D.J. Enright wrote: ‘we do need poetry that is . something, poetry that is about people — preferably other people’.. In his prose contribution to the volume, Larkin put it the other way round — we do not want poetry that is about

可能性

可互換

聰明

,Radical Laughter: ‘This Be The Verse’,he figure of the ., which accompanies’ and ‘its negative, the ., which does not accompany’. The term . can be used as a synonym for . or .: ‘a(chǎn)ccording to both etymology and usage, the acolyte accompanies with an eye to following and assisting’. By contrast, ., literally ‘lacking sequence’ in ancient

使人煩燥

urethritis

Muffle

上下連貫

,Radical Citation: ‘Aubade’,hat situates itself within the lyric tradition the better to eviscerate it.. This is an opinion with which Larkin concurred to judge from his comments on those much-admired lyrics: ‘Bloody awful tripe’, he wrote on the manuscript of ‘The Trees’, while in a letter to Monica Jones he described ‘Cut Grass’ as ‘pointless crap’.