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Titlebook: Race, Ethnicity and Publishing in America; Cécile Cottenet (Associate Professor) Book 2014 Palgrave Macmillan, a division of Macmillan Pub

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樓主: HEM
11#
發(fā)表于 2025-3-23 10:58:02 | 只看該作者
Widening the Paradigm of American Literature: Small Presses in the Publishing and Creation of New Hiultural responses, either in English or Spanish. This new blood, if compared to other trade publishers, served to widen the paradigm of American literature in the 1970s and onwards. The Hispanic editors’ fresh decisive attitude reveals what had been hidden away by canon- making formalists. Furthermo
12#
發(fā)表于 2025-3-23 14:44:06 | 只看該作者
Franco-American Writers: In-visible Authors in the Global Literary Marketters,. Franco-American writers. do not seem to be marketing ‘commodities’; they are rather the victims of an increasingly global market in cultural goods. And contrary to other writers from ethnic minorities, such as African Americans or Hispanics who can participate in the marketing of their margin
13#
發(fā)表于 2025-3-23 18:08:51 | 只看該作者
Reacting to the White Publishing World: Zora Neale Hurston and Negro Stereotypesc minority characters with emotions and rest content with the stereotypes of the ‘exceptional’ Negro and the ‘quaint’. Taken on its own account, it is a vindication of minority rights and argues for a true reflection of what American society was like in the 1950s. It is an appeal to fight racist ide
14#
發(fā)表于 2025-3-24 01:18:39 | 只看該作者
15#
發(fā)表于 2025-3-24 04:38:19 | 只看該作者
The Roots of Cane: Jean Toomer in The Double Dealer and Modernist Networksrk of the Harlem Renaissance despite Toomer’s uneasy relationship with that movement, or as in dialogue with a modernist avant-garde typically perceived as if outside the racialist cultural sys- tems circulating in the USA in the 1920s and 1930s — but not as occupy- ing both historical categories si
16#
發(fā)表于 2025-3-24 10:32:05 | 只看該作者
Popular Book Clubs and the Marketing of African American Best-Sellersn books in a market dominated by white publishers, and perhaps white readers.. Are African American books meant for a black public only, remaining a targeted product for an ethnic niche? Or do they reach a mainstream white public and if so, how? Is the racial factor then a liability that has to be o
17#
發(fā)表于 2025-3-24 13:57:26 | 只看該作者
18#
發(fā)表于 2025-3-24 16:47:08 | 只看該作者
Epilogue — An Experience in Literary Archaeology: Publishing a Black Lost GenerationMy task was to read about 20 novels a week and tell the publisher which one could indeed be added to the series and which were the 19 others that should not even have been submitted to us. Gallimard’s Série Noire is a very important series and part of its tremendous impact on the literary market is
19#
發(fā)表于 2025-3-24 22:07:34 | 只看該作者
20#
發(fā)表于 2025-3-25 01:52:51 | 只看該作者
The Poetry of Phillis Wheatley in Slavery’s Recollective Economies, 1773 to the Presentow often refer to as modern print culture, an era during which a new ideological emphasis on the relation of print and identity combined with the proliferation of advanced technologies of production and distribution of printed matter.
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