| 書(shū)目名稱(chēng) | Quentin Tarantino and Film Theory |
| 副標(biāo)題 | Aesthetics and Diale |
| 編輯 | Federico Pagello |
| 視頻video | http://file.papertrans.cn/782/781771/781771.mp4 |
| 概述 | Offers an ambitious theoretical assessment of Tarantino’s cinema in relation to key issues in contemporary film theory.Engages with questions about the ongoing relevance of postmodern theory to unders |
| 圖書(shū)封面 |  |
| 描述 | .This book examines a set of theoretical perspectives that critically engage with the notion of postmodernism, investigating whether this concept is still useful to approach contemporary cinema. This question is explored through a discussion of the films written and directed by Quentin Tarantino, largely regarded as the epitome of postmodern cinema and considered here as theoretical contributions in their own right.? Each chapter first presents key ideas proposed by a specific theorist and then puts them in conversation with Tarantino’s films. Jacques Rancière’s theory of art is used to reject postmodernism’s claims about the ‘death’ of the aesthetic image in contemporary cinema. Fredric Jameson’s and Slavoj ?i?ek’s dialectical thinking is mobilized to challenge simplistic, ideological readings of postmodern cinema in general, and Tarantino’s films in particular. Finally, the direct influence of Carol Clover’s psychoanalytical approach to the horror genre on Tarantino’s work isdiscussed to prove the director’s specific contribution to a theoretical understanding of contemporary film aesthetics..? ? ??. . |
| 出版日期 | Book 2020 |
| 關(guān)鍵詞 | Quentin Tarantino; Postmodernism; Jacques Rancière; Fredric Jameson; Gilles Deleuze; Slavoj ?i?ek; Joan Co |
| 版次 | 1 |
| doi | https://doi.org/10.1007/978-3-030-43819-7 |
| isbn_softcover | 978-3-030-43821-0 |
| isbn_ebook | 978-3-030-43819-7 |
| copyright | The Editor(s) (if applicable) and The Author(s) 2020 |
|Archiver|手機(jī)版|小黑屋|
派博傳思國(guó)際
( 京公網(wǎng)安備110108008328)
GMT+8, 2025-10-5 05:55
發(fā)表于 2025-3-21 19:51:09
