Titlebook: Queering W. B. Yeats and Gabriele D’Annunzio; Modernist Playwright Zsuzsanna Balázs Book 2024 The Editor(s) (if applicable) and The Author(

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Zsuzsanna Balázsuccès?) und seine Wirkungssph?re in Frankreich (?son influence?), getrennt zu untersuchen. Ein kurzer überblick vor allem über die ersten Etappen der Aufnahme zeigt, da? der Erfolg des Brechtschen Theaters nicht hoch genug eingesch?tzt werden kann. Abgesehen von den Jahren vor dem Krieg, vom ?théatr

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Introduction,mises to rhyme Yeats and D’Annunzio out of the sublime by letting them chime with various dramaturgical manifestations of the queer. Yeats and D’Annunzio conjured by queer theory will be very different from the canonical figures we inherited and got used to.

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Family, Normativity, and the Will to Escape,eek escape from the traditional family. The chapter offers fresh dramaturgical readings of Yeats’s . (1894) and . (1920) and D’Annunzio’s . (1901) and . (1904) along with analyses of some of their production histories.

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Book 2024eats and D’Annunzio through a queer lens because of their controversial affiliations with fascism and elitism, their heterosexuality and their venerated canonical status. This book provides the first fully theorised queer and comparative reading of Yeats’s and D’Annunzio’s drama. It offers the novel

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2731-3182 eer, postcolonial and dramaturgical approaches.Examines the .Queering W. B. Yeats and Gabriele D’Annunzio: Modernist Playwrights. challenges the general resistance in scholarship and queer studies to approach Yeats and D’Annunzio through a queer lens because of their controversial affiliations with

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Moral Prudery, Respectability, and Broken Intimacies,eth-century Europe. The chapter begins by conceptualising how nationalism and the cult of respectability became intertwined in the first half of the twentieth century parallel to the emergence of same-sex desire in Italian literature, the works of Irish Revivalists and Irish modernists. The chapter