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Titlebook: Queering Richard Rolle; Mystical Theology an Christopher M. Roman Book 2017 The Editor(s) (if applicable) and The Author(s) 2017 Richard Ro

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樓主
發(fā)表于 2025-3-21 17:33:02 | 只看該作者 |倒序?yàn)g覽 |閱讀模式
書目名稱Queering Richard Rolle
副標(biāo)題Mystical Theology an
編輯Christopher M. Roman
視頻videohttp://file.papertrans.cn/782/781744/781744.mp4
概述Complicates the life, writing, and theology of a mysterious but compelling medieval figure.Recasts the vitality of Rolle’s theological concerns and its influence on mystical thought during the period.
叢書名稱The New Middle Ages
圖書封面Titlebook: Queering Richard Rolle; Mystical Theology an Christopher M. Roman Book 2017 The Editor(s) (if applicable) and The Author(s) 2017 Richard Ro
描述This book examines three aspects of Rolle’s thinking used throughout this work: his ontology, phenomenology, and sound ecology. These facets of his work invoke both a way of understanding being in the world, an opening up of the body in queer ways to experience the divine, and a way to consider divine contemplation in terms of singing the body.?.Queering Richard Rolle. considers how Rolle navigates queer, eremitic conduct in order to create an identity always in process.
出版日期Book 2017
關(guān)鍵詞Richard Rolle; Queer Theory; Thirteenth-Century; Medieval; Theology; British and Irish Literature
版次1
doihttps://doi.org/10.1007/978-3-319-49775-4
isbn_softcover978-3-319-84238-7
isbn_ebook978-3-319-49775-4Series ISSN 2945-5936 Series E-ISSN 2945-5944
issn_series 2945-5936
copyrightThe Editor(s) (if applicable) and The Author(s) 2017
The information of publication is updating

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沙發(fā)
發(fā)表于 2025-3-21 23:30:33 | 只看該作者
Book 2017rk invoke both a way of understanding being in the world, an opening up of the body in queer ways to experience the divine, and a way to consider divine contemplation in terms of singing the body.?.Queering Richard Rolle. considers how Rolle navigates queer, eremitic conduct in order to create an id
板凳
發(fā)表于 2025-3-22 04:04:17 | 只看該作者
2945-5936 rns and its influence on mystical thought during the period.This book examines three aspects of Rolle’s thinking used throughout this work: his ontology, phenomenology, and sound ecology. These facets of his work invoke both a way of understanding being in the world, an opening up of the body in que
地板
發(fā)表于 2025-3-22 07:42:24 | 只看該作者
Introduction: Queering the Hermit,throughout this work: his ontology, phenomenology, and sound ecology. These three aspects of his . invoke both a way of understanding being in the world, an opening up of the body in queer ways to experience the divine, and a way to consider divine contemplation in terms of singing the body.
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發(fā)表于 2025-3-22 08:45:09 | 只看該作者
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發(fā)表于 2025-3-22 13:30:09 | 只看該作者
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發(fā)表于 2025-3-22 19:46:25 | 只看該作者
,Richard Rolle’s Ecology of ,: An Aesthetics of Desire,cs do, Rolle experiments with the ineffability of sound, an acousmatics, in order to express an ecological relationship, one in which the singer inhabits the sound of God and, thus, renders the body porous as sound permeates it. Rolle’s use of the lyric reveals the enmeshed quality of singer, song,
8#
發(fā)表于 2025-3-23 01:12:31 | 只看該作者
Epilogue: Three Vignettes,rgery Kempe who internalizes Rolle’s schema after hearing his works read to her, to Hope Emily Allen and her work to spearhead a Rolle canon, to this book and this author, Rolle touches us through time suggesting ways to bend our identities, to find an erotic divinity in our queer senses.
9#
發(fā)表于 2025-3-23 04:01:32 | 只看該作者
,Richard Rolle’s Eremitic Ontology,oes not mean that the hermit leaves the neighbor behind. The very ontological nature of love is integral in eremitic being, and, thus, Rolle spends much time in considering the being of love itself as a way to orient the hermit in the world, as well as, in time.
10#
發(fā)表于 2025-3-23 09:03:45 | 只看該作者
,Richard Rolle’s Ecology of ,: An Aesthetics of Desire,divinity, and body. In this way, Rolle’s lyrics create environments that queer the body’s relation to song. The gift of . in Rolle’s work creates a performative aspect to contemplative living. Rolle’s experiment with sound and lyric open up a divine ecology that intermediates between singer and God.
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