Titlebook: Queering Masculinities in Language and Culture; Paul Baker,Giuseppe Balirano Book 2018 The Editor(s) (if applicable) and The Author(s) 201

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消滅

,Undoing Black Masculinity: Isaac Julien’s Alternative Grammar of Visual Representation,of the Caribbean diaspora, this chapter proposes a new reading of Isaac Julien’s iconic film . (1989). Complemented by references to film theory and the studies on masculinity, it will explore Julien’s re-articulation of the socio-culturally constructed and historically contingent concept of “black

帶傷害

,‘You Cry Gay, You’re In’: The Case of Asylum Seekers in the UK, are not explicitly mentioned as some of the grounds upon which an applicant can claim asylum..Taking the cue from the extensive media coverage that a groundbreaking UK Supreme Court judgment (July 2010) attracted when a decision to deny two gay men asylum was overturned, this chapter investigates h

樹(shù)木心

The Object of Subordination Is Immaterial: Discursive Constructions of Masculinity in a Far-Right Oa terrorist attack/hate crime inside Pulse, a gay nightclub in Orlando, Florida, United States, by members of a white supremacist online forum called Stormfront. Texts related to the killings were collected and analysed using a methodological approach which combines corpus linguistics with CDA. The

辮子帶來(lái)幫助

The Object of Subordination Is Immaterial: Discursive Constructions of Masculinity in a Far-Right Oof various out-groups as a performance which constructs their own identity, thus merging the theories of gender performance (Butler, .. Routledge, 1990) and hegemonic masculinity (Connell, .. University of California Press, 1995).

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慢跑鞋

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The Queer Peer: Masculinity and Brotherhood in Cain and Abel Literature and Imagination,nd guilt. Analysing what is stable and similar in the different literary and artistic representations of Cain and Abel over time and across different cultures can lead to a reflection on the changes in the culture and society about masculinity and otherness, while also showing the permeability of the archetype to queer perspectives and rewritings.

內(nèi)行

,An Effortless Voice: Queer Vocality and Transgender Identity in Kim Fu’s , the novel itself, a direct reference to the eponymous song by Antony Hegarty. Choosing the song as a privileged “point of hearing” for Peter’s story allows this contribution to trace the emergence of different vocal positionings to emerge, in the novel as well as in wider elaborations of queer positionalities.