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Titlebook: Queer Performance and Contemporary Ireland; Dissent and Disorien Fintan Walsh Book 2016 The Editor(s) (if applicable) and The Author(s) 201

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發(fā)表于 2025-3-21 17:12:09 | 只看該作者 |倒序瀏覽 |閱讀模式
書目名稱Queer Performance and Contemporary Ireland
副標題Dissent and Disorien
編輯Fintan Walsh
視頻videohttp://file.papertrans.cn/782/781703/781703.mp4
叢書名稱Contemporary Performance InterActions
圖書封面Titlebook: Queer Performance and Contemporary Ireland; Dissent and Disorien Fintan Walsh Book 2016 The Editor(s) (if applicable) and The Author(s) 201
描述This book examines the surge of queer performance produced across Ireland since the first stirrings of the Celtic Tiger in the mid-1990s, up to the passing of the Marriage Equality referendum in the Republic in 2015.
出版日期Book 2016
關(guān)鍵詞Queer performance; Irish theatre and performance; contemporary performance; gender studies; Irish histor
版次1
doihttps://doi.org/10.1057/9781137534507
isbn_softcover978-1-349-57031-7
isbn_ebook978-1-137-53450-7Series ISSN 2634-5870 Series E-ISSN 2634-5889
issn_series 2634-5870
copyrightThe Editor(s) (if applicable) and The Author(s) 2016
The information of publication is updating

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沙發(fā)
發(fā)表于 2025-3-21 20:41:18 | 只看該作者
Afterword: Reeling-Feeling,me has to offer. Illuminating the gaps between remembered history, lived experience and social expectation is perhaps the most important queer gesture that these works collectively perform, all the while straining towards worlds not yet realised — maybe even unrealisable.
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地板
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發(fā)表于 2025-3-22 08:53:58 | 只看該作者
Reparative Therapies and Political Performers,st Richard O’Leary, it is ‘both one of the most religious and the most homophobic countries in Western Europe.’. These embedded prejudices were dramatically thrown into relief in 2008 when Iris Robinson – then Democratic Unionist Party (DUP) Member of Parliament (MP), and Member of Legislative Assem
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發(fā)表于 2025-3-22 16:50:31 | 只看該作者
Transforming Shame and Testimonial Performance,gely seen as something to be culturally disciplined and repressed, with no real purpose outside of the reproductive ambitions of a heterosexual marriage. In the 1990s and 2000s, the devastating impact of this policing was steadily exposed, by seemingly endless revelations of the sexual, physical and
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發(fā)表于 2025-3-23 01:57:05 | 只看該作者
Vertiginous Loss, Love and Belonging on the National Stage,rmance culture had finally found a home in the national theatre. Since its founding by Jennifer Jennings and Phillip McMahon in Dublin in 2007, THISISPOPBABY has gained a reputation for creating projects dedicated to both recuperating and evolving queer performance in Ireland, but always brightening
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發(fā)表于 2025-3-23 09:00:26 | 只看該作者
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