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Titlebook: Queer Girls, Temporality and Screen Media; Not ‘Just a Phase’ Whitney Monaghan Book 2016 The Editor(s) (if applicable) and The Author(s) 20

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發(fā)表于 2025-3-21 17:00:40 | 只看該作者 |倒序瀏覽 |閱讀模式
書目名稱Queer Girls, Temporality and Screen Media
副標(biāo)題Not ‘Just a Phase’
編輯Whitney Monaghan
視頻videohttp://file.papertrans.cn/782/781688/781688.mp4
概述A comprehensive analysis of the representation of queer girls in film and television.A unique look at the ways that sexuality is represented within screen texts featuring queer girls.An exclusive take
圖書封面Titlebook: Queer Girls, Temporality and Screen Media; Not ‘Just a Phase’ Whitney Monaghan Book 2016 The Editor(s) (if applicable) and The Author(s) 20
描述.This book takes up the queer girl as a represented and rhetorical figure within film, television and video. In 1987, Canada’s .Degrassi Junior High. featured one of TV’s first queer teen storylines. Contained to a single episode, it was promptly forgotten within both the series and popular culture more generally. Cut to 2016 – queer girls are now major characters in films and television series around the globe. No longer represented as subsidiary characters within forgettable storylines, queer girls are a regular feature of contemporary screen media. Analysing the terms of this newfound visibility, Whitney Monaghan provides a critical perspective on this, arguing that a temporal logic underpins many representations of queer girlhood. Examining an archive of screen texts that includes teen television series and teenpics, art-house, queer and independent cinemas as well as new forms of digital video, she expands current discourse on both queer representation and girls’ studies bylooking at sexuality through themes of temporality. This book, the first full-length study of its kind, draws on concepts of boredom, nostalgia and transience to offer a new perspective on queer representati
出版日期Book 2016
關(guān)鍵詞Screen studies; film studies; television studies; popular culture; representation; youth representation; y
版次1
doihttps://doi.org/10.1057/978-1-137-55598-4
isbn_ebook978-1-137-55598-4
copyrightThe Editor(s) (if applicable) and The Author(s) 2016
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發(fā)表于 2025-3-21 23:32:59 | 只看該作者
Retrospective Narratives, Nostalgia and the Queer Girl: , and ,,In Jon Gara?o and José María Goenaga’s 2010 film ./., two 70-year-old protagonists, Axun (Itziar Aizpuru) and Maite (Mariasun Pagoaga), meet at a hospital where they are both visiting loved ones.
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發(fā)表于 2025-3-22 04:22:17 | 只看該作者
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發(fā)表于 2025-3-22 11:17:05 | 只看該作者
The Editor(s) (if applicable) and The Author(s) 2016
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發(fā)表于 2025-3-22 17:31:07 | 只看該作者
https://doi.org/10.1057/978-1-137-55598-4Screen studies; film studies; television studies; popular culture; representation; youth representation; y
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發(fā)表于 2025-3-22 22:34:23 | 只看該作者
,“Are Queer Girls, Girls?”,courses of girlhood and queerness that would be drawn on to respond to this query? What are the social, theoretical and epistemological issues at stake in asking this queer question?” (Gonick, “Sugar and Spice” 122).
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發(fā)表于 2025-3-23 02:47:13 | 只看該作者
Beyond Girlhood,ss and futurity are rendered incongruous. With girls’ queer experiences, feelings and intimacies typically represented only within a liminal moment of youth, the figure of the queer girl has thus come to embody the structuring logics of heteronormative temporality.
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發(fā)表于 2025-3-23 06:11:16 | 只看該作者
bylooking at sexuality through themes of temporality. This book, the first full-length study of its kind, draws on concepts of boredom, nostalgia and transience to offer a new perspective on queer representati978-1-137-55598-4
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