Titlebook: Queer Commodities; Contemporary US Fict Guy Davidson Book 2012 The Editor(s) (if applicable) and The Author(s) 2012 capitalism.culture.fict

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syncope

顛簸地移動(dòng)

Obloquy

2634-579X idson argues that while these subcultures are necessarily commodified, they also provide means of subversively negotiating aspects of life under capitalism.978-1-349-34312-6978-1-137-01124-4Series ISSN 2634-579X Series E-ISSN 2634-5803

delta-waves

倔強(qiáng)一點(diǎn)

,Metropolitan Destinies: Edmund White’s ,the first of my epigraphs. His trilogy of first-person, autobiographical works, . ( 1982), . (1988), and . (1997), traces the progress of its protagonist from “the isolation of queer childhood” in the suburbs and exurbs of the “provincial” United States in the 1940s and 1950s, through adventures in

morale

,Utopia and Apocalypse in Samuel Delany’s ,zzlingly diverse oeuvre is only tangentially concerned with the familiar manifestations of Manhattan gay subculture—bars, discos, and sex venues concentrated in Greenwich Village and, latterly, Chelsea—that are treated, for instance, in .. Delany is instead associated with a (still more) disreputabl

gerrymander

Bar and Dog Collar: Commodity, Subculture, and Narrative in Jane DeLynn, not prolific, literary career. She has attracted little critical interest, however, even in the specialized field of queer literary scholarship: three of her novels, namely . (1982), a narrative of adolescent love, as well as the two I turn my attention to in this chapter, . (1990) and . (2002), ar

人充滿活力

cathartic

2634-579X ritical tendencies to identify gay and lesbian subcultures as either hopelessly immersed in consumer capitalism or heroically resistant to it, Guy Davidson argues that while these subcultures are necessarily commodified, they also provide means of subversively negotiating aspects of life under capit