Titlebook: Queenship and Voice in Medieval Northern Europe; William Layher Book 2010 William Layher 2010 Europe.Familie.Focusing.identity

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使聲音降低

Medicare

William Layherm Interesse der M?chtigeren liegen mag, dies zu verschleiern: Immer wieder manifestieren, erneuern oder ver?ndern sich in der Kommunikation vielf?ltige Gegnerschaften zwischen Einzelnen und/oder Gruppen, seien es Interessenkonflikte um knappe Mittel, R?ume, Machtressourcen und Statuspositionen, seie

過(guò)濾

insidious

finale

Three Nordic Queens,rgareta of Denmark, Norway, and Sweden (1353–1412). While Margareta is well known as one of the most formidable queens of late-medieval Europe, the other two, Agnes and Eufemia, are surely unfamiliar to most scholars working in the field of medieval queenship. Some research has been done on Queen Eu

保守黨

Sound, Voice, and ,: The Acoustics of the Self in the Middle Ages,extent is the political voice (such as that of a medieval queen) a mediated phenomenon? These questions guide the inquiry in this chapter and lay the foundation for the discussion about the constitution of the queen’s political status in medieval Scandinavia. We begin by examining medieval theories

敬禮

,“You Danes Must Do as I Say …”: Queen Agnes and the Regicide of 1286,he Danish peninsula of Jutland, near the town of Viborg. According to contemporary accounts, the king had retired for the evening and was lying in his bedchamber. The attackers struck under cloak of darkness. After the deed, the assailants melted away into the countryside and were never apprehended,

安心地散步

Margareta of Denmark and the Voice of Identity, power in their kingdoms. Here we will again focus on the voice as a political instrument. The inquiry begins a review of events that took place in the year 1388, just before Queen Margareta of Denmark invaded Sweden, captured Albrecht III, and was granted rulership by the Swedish barons over the en

大方不好

Afterword,n this investigation of specific periods of crisis in the monarchies of Denmark, Norway, and Sweden, we retraced the steps taken to voice the queens’ political objectives in an innovative way: through the “broadcast” of poems by Rumelant von Sachsen, through the translation of courtly romances “in o