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Titlebook: Queen Caroline and the Power of Caricature in Georgian England; Ian Haywood Book 2023 The Editor(s) (if applicable) and The Author(s), und

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樓主
發(fā)表于 2025-3-21 17:14:31 | 只看該作者 |倒序?yàn)g覽 |閱讀模式
書目名稱Queen Caroline and the Power of Caricature in Georgian England
編輯Ian Haywood
視頻videohttp://file.papertrans.cn/782/781660/781660.mp4
概述Explores the role of popular caricature in the controversy over Queen Caroline in 1820–21.Argues for the period as the ‘golden age‘ of caricature.Considers Caroline‘s role as a symbol of democracy
叢書名稱Queenship and Power
圖書封面Titlebook: Queen Caroline and the Power of Caricature in Georgian England;  Ian Haywood Book 2023 The Editor(s) (if applicable) and The Author(s), und
描述This book will be the first dedicated study of the remarkable role of Georgian caricature in the equally remarkable Queen Caroline controversy of 1820-21. When the newly crowned George IV, formerly the Prince of Wales, refused to recognise his estranged wife Caroline as the rightful queen of the Britain, her refusal to rescind her claim to the throne provoked a huge campaign of sympathy and support that almost toppled the government. The British people rallied round the ‘injured’ queen in their hundreds of thousands, and massed rallies, processions, protests and petitioning became daily news..The Queen Caroline controversy was the zenith of the ‘Golden Age’ of caricature, a tour-de-force of imagination, wit, inventiveness and sheer political mischief. In image after image, Caroline triumphs over her cowardly and conniving enemies, subverting gender and political hierarchies, and giving a presence and voice to her unenfranchised followers. This book therefore aims tochronicle and analyse this achievement.?.
出版日期Book 2023
關(guān)鍵詞royal scandal; queenship; monarchy; nineteenth-century Britain; George IV
版次1
doihttps://doi.org/10.1007/978-3-031-46224-5
isbn_ebook978-3-031-46224-5Series ISSN 2730-938X Series E-ISSN 2730-9398
issn_series 2730-938X
copyrightThe Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl
The information of publication is updating

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沙發(fā)
發(fā)表于 2025-3-21 21:05:42 | 只看該作者
Ian Haywoodnd Filialschlie?ungen gepr?gt wird. Zus?tzlich k?mpfen Bankinstitute mit dem Fachkr?ftemangel und stehen grunds?tzlich in hoher Konkurrenz mit FinTechs, welche durch disruptive Technologien das klassische Gesch?ftsmodell von Banken ver?ndern. Seit der ?ffentlichen Einführung von ChatGPT im November
板凳
發(fā)表于 2025-3-22 01:14:24 | 只看該作者
Queen Caroline Comes Home, especially in those prints produced by radical publishers such as William Benbow and John Fairburn. Artists include George and Robert Cruikshank and William Heath. Caroline’s cause became synonymous with political reform and the rights of women.
地板
發(fā)表于 2025-3-22 05:14:28 | 只看該作者
5#
發(fā)表于 2025-3-22 10:04:36 | 只看該作者
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發(fā)表于 2025-3-22 15:37:53 | 只看該作者
Queen Caroline Comes Home,d to accept a government bribe in return for remaining in exile. From the moment she set foot on British soil, she was met by rapturous crowds and was propelled into the political and media limelight. This chapter focuses on this transformation and shows how caricatures magnified her rebelliousness,
7#
發(fā)表于 2025-3-22 17:03:43 | 只看該作者
8#
發(fā)表于 2025-3-22 21:15:02 | 只看該作者
Victory and Coronation,Public opinion had triumphed and the country erupted into weeks of festivities and celebrations normally reserved for military victories and royal spectacles. London was illuminated and a special thanksgiving service at St. Paul’s Cathedral was, in all but name, Caroline’s coronation. She was at the
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發(fā)表于 2025-3-23 01:43:04 | 只看該作者
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發(fā)表于 2025-3-23 07:32:09 | 只看該作者
A Radical End,mise as the result of a broken heart, her end was as controversial as her arrival the previous year. The government’s attempt to dictate the route of her massive funeral procession led to an altercation in Hyde Park in which two innocent men were shot dead. The echo of Peterloo was not lost on comme
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