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Titlebook: Qualitative Perspektiven des Medienwandels; Positionen der Medie Helmut Schanze,Peter Ludes Book 1997 Westdeutscher Verlag GmbH, Opladen 19

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11#
發(fā)表于 2025-3-23 10:45:05 | 只看該作者
osophers in the narrower sense, early modern moral philosophers could also draw on Renaissance authors such as Shakespeare, Ben Jonson, and Edmund Spenser. And it expands the study of the influence of early modern Renaissance studies in early modern philosophy by looking at the implications for poli
12#
發(fā)表于 2025-3-23 17:21:05 | 只看該作者
13#
發(fā)表于 2025-3-23 19:46:00 | 只看該作者
14#
發(fā)表于 2025-3-24 02:05:10 | 只看該作者
Ulrich Saxerstudy concentrates almost exclusively on the tragic genre, so the parallel analysis of cinema will be largely restricted to violent film, a wide-ranging categorisation that has to incorporate the diverse genres of action, adventure and horror. Since the subject matter of this section will include a
15#
發(fā)表于 2025-3-24 06:21:56 | 只看該作者
16#
發(fā)表于 2025-3-24 09:10:27 | 只看該作者
17#
發(fā)表于 2025-3-24 11:39:28 | 只看該作者
18#
發(fā)表于 2025-3-24 18:07:09 | 只看該作者
ed on the concept of the ‘lone wolf’ avenger, figures that are more closely analogous to Middleton’s Vindice or Kyd’s Hieronimo. In this respect, one of the most significant icons is the enduring image of the Western lawman – the isolated, self-sufficient hero enforcing justice in a society on the b
19#
發(fā)表于 2025-3-24 23:00:28 | 只看該作者
20#
發(fā)表于 2025-3-25 02:31:33 | 只看該作者
Kai-Peter Keusenbridal veil. Orgilus drew it aside to gaze at her face, but immediately his father Crotolon (Tony Britton) entered, speaking the first words of Ford’s playtext: ‘Dally not further’ (1.1.1). At this, Penthea turned from Orgilus and began to walk slowly upstage. Crotolon did not register her presence
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