Titlebook: Proceedings of the RILEM Spring Convention and Conference 2024; Volume 2 Liberato Ferrara,Giovanni Muciaccia,Davide di Summ Conference proc

HAG

書目名稱Proceedings of the RILEM Spring Convention and Conference 2024影響因子(影響力)




書目名稱Proceedings of the RILEM Spring Convention and Conference 2024影響因子(影響力)學(xué)科排名




書目名稱Proceedings of the RILEM Spring Convention and Conference 2024網(wǎng)絡(luò)公開度




書目名稱Proceedings of the RILEM Spring Convention and Conference 2024網(wǎng)絡(luò)公開度學(xué)科排名




書目名稱Proceedings of the RILEM Spring Convention and Conference 2024被引頻次




書目名稱Proceedings of the RILEM Spring Convention and Conference 2024被引頻次學(xué)科排名




書目名稱Proceedings of the RILEM Spring Convention and Conference 2024年度引用




書目名稱Proceedings of the RILEM Spring Convention and Conference 2024年度引用學(xué)科排名




書目名稱Proceedings of the RILEM Spring Convention and Conference 2024讀者反饋




書目名稱Proceedings of the RILEM Spring Convention and Conference 2024讀者反饋學(xué)科排名

大包裹

Arb853

Cesare Signorini,Marco Liebscher,Viktor Mechtcherinethematic concerns of the book.Emphasizes the connections bet.Why are so many contemporary comics and graphic narratives written as memoirs or documentaries of traumatic events? Is there a specific relationship between the comics form and the documentation and reportage of trauma? How do the interpre

Condescending

Solace

山羊

Klajdi Toska,Anne-Lise Beaucour,Flora Faleschini,Carlo Pellegrino,Albert Noumowe back to slavery, with a clear flashpoint around the Haitian Revolution (1791–1804) when the island and its people won their independence from the French. This marks the zombie as a traumatic, racialized body. Haiti again played a prominent part in the American cultural consciousness following its m

沒花的是打擾

Matthieu Pettmann,Tine Tysmans,Dimitrios G. Aggelis,Anne-lise Beaucour,Javad Eslami,Albert Noumowecalled a trauma aesthetic, a set of recognizable tropes in widespread use in trauma narratives. This chapter examines the adoption of this aesthetic in graphic narratives, focusing on the special capacities of the form. Familiar tropes, such as dissociation and the somatic trace, are presented in co

少量

Ramakrishna Samanthula,Ravindra Gettucalled a trauma aesthetic, a set of recognizable tropes in widespread use in trauma narratives. This chapter examines the adoption of this aesthetic in graphic narratives, focusing on the special capacities of the form. Familiar tropes, such as dissociation and the somatic trace, are presented in co

Aspiration

Bin Xi,Aayush Upadhyay,Radakrishna G. Pillai,Liberato Ferraratory. Recently, several German-language graphic novels and comics have been published which explore the Third Reich and the Second World War from the perspective of those who experienced it first-hand: ordinary citizens, war children, Hitler Youth members, soldiers, and civilians. Such works, which

祖先

Marco Davolio,Estefania Cuenca,Ruben Paul Borg,Liberato Ferrarasia. While there is an extensive body of literature about Trabzon during the Armenian Genocide, the experiences of Armenian women and girls who stayed in the city remain unexamined. This chapter draws on the Trabzon trials and survivor testimonies to explore their experiences..While Trabzon Armenian