| 書目名稱 | Post-Punk, Politics and Pleasure in Britain | | 編輯 | David Wilkinson | | 視頻video | http://file.papertrans.cn/753/752049/752049.mp4 | | 叢書名稱 | Palgrave Studies in the History of Subcultures and Popular Music | | 圖書封面 |  | | 描述 | .As theSex Pistols were breaking up, Britain was entering a new era. Punk’s filth andfury had burned brightly and briefly; soon a new underground offered a moresustained and constructive challenge. As future-focused, independentlyreleased singles appeared in the wake of the Sex Pistols, there were highhopes in magazines like .NME .and theDIY fanzine media spawned by punk. .Post-Punk,Politics and Pleasure in Britain. explores how post-punk’s politicsdeveloped into the 1980s. Illustrating that the movement’s monochrome gloomwas illuminated by residual flickers of countercultural utopianism, itsituates post-punk in the ideological crossfire of a key political struggle ofthe era: a battle over pleasure and freedom between emerging Thatcherism andlibertarian, feminist and countercultural movements dating back to thepost-war New Left. Case studies on bands including Gang of Four, The Fall andthe Slits and labels like Rough Trade move sensitively between close reading,historical context and analysis of who made post-punk and how it was producedand mediated. The book examines, too, how the struggles of post-punk resonatedown to the present.. | | 出版日期 | Book 2016 | | 關(guān)鍵詞 | Subcultures; Popular music; History of music; Youth culture; Political history | | 版次 | 1 | | doi | https://doi.org/10.1057/978-1-137-49780-2 | | isbn_softcover | 978-1-349-69807-3 | | isbn_ebook | 978-1-137-49780-2Series ISSN 2730-9517 Series E-ISSN 2730-9525 | | issn_series | 2730-9517 | | copyright | The Editor(s) (if applicable) and The Author(s) 2016 |
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