書目名稱 | Popular Theatre and Political Utopia in France, 1870—1940 | 副標題 | Active Citizens | 編輯 | Jessica Wardhaugh | 視頻video | http://file.papertrans.cn/752/751517/751517.mp4 | 概述 | Represents the first study of popular theatre in France from left to right.Explores how theatre became central to the experience of political integration and subversion in the age of the masses.Illumi | 叢書名稱 | Palgrave Studies in Theatre and Performance History | 圖書封面 |  | 描述 | This book is the first study of popular theatre in France from left to right, exploring how theatre shapes political acts, ideals, and communities in the modern world. As the French found innovative ways of imagining culture and politics in the age of the masses, popular theatre became central to the republican project of using art to create citizens, using secular spaces for the experience of civic communion. But while state projects often faltered in finding playwrights, locations, and audiences, popular theatre flourished on the political and geographical peripheries. Drawing on extensive archival research, this book illuminates lost worlds of political conviviality, from anarchist communes and clandestine agit-prop drama to royalist street politics and right-wing mass spectacle. It reveals new connections between French initiatives and their European counterparts, and demonstrates the enduring strength of radical communities in shaping political ideals and engagement.. | 出版日期 | Book 2017 | 關(guān)鍵詞 | History of French popular theatre; Politics, theatre, and utopia; State education; Popular music; Théatr | 版次 | 1 | doi | https://doi.org/10.1057/978-1-137-59855-4 | isbn_softcover | 978-1-349-95589-3 | isbn_ebook | 978-1-137-59855-4Series ISSN 2947-5767 Series E-ISSN 2947-5775 | issn_series | 2947-5767 | copyright | The Editor(s) (if applicable) and The Author(s) 2017 |
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