| 書目名稱 | Popular Music Scenes and Cultural Memory |
| 編輯 | Andy Bennett,Ian Rogers |
| 視頻video | http://file.papertrans.cn/752/751497/751497.mp4 |
| 概述 | First book to study music scenes as an aspect of cultural memory and emotional geography.Clearly written in an accessible and engaging style.Features original data from interviews conducted with fans, |
| 叢書名稱 | Pop Music, Culture and Identity |
| 圖書封面 |  |
| 描述 | This volume?explores the ways in which music scenes are not merely physical spaces for the practice of collective musical life but are also inscribed with and enacted through the articulation of cultural memory and emotional geography. The book draws on empirical data collected in cites throughout Australia.?.In terms of understanding the relationship between music scenes and participants, much of the existing popular music literature tends to avoid one key aspect of scene: its predominant past-tense and memory-based nature. Nascent music scenes may be emergent and on-going but their articulation in the present is often based on past events, ideas and histories. There is a noticeable gap between the literature concerning popular music ethnography and the growing body of work on cultural memory and emotional geography. This book is a study of the conceptual formation and use of music scenes by participants. It is also an investigation of the structures underpinning music scenes more generally.?. |
| 出版日期 | Book 2016 |
| 關(guān)鍵詞 | popular music; music scene; cultural memory; emotional geography; space and place; collective musical lif |
| 版次 | 1 |
| doi | https://doi.org/10.1057/978-1-137-40204-2 |
| isbn_ebook | 978-1-137-40204-2Series ISSN 2634-6613 Series E-ISSN 2634-6621 |
| issn_series | 2634-6613 |
| copyright | The Editor(s) (if applicable) and The Author(s) 2016 |
|Archiver|手機(jī)版|小黑屋|
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