Titlebook: Politics, Art and Commitment in the East European Cinema; David W. Paul (freelance writer, faculty) Book 1983 David W. Paul 1983 cinema.Eu

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感染

含糊

態(tài)學(xué)

不妥協(xié)

Pathos and Irony in East European Films was supposed to be part of a struggle in shaping the future — that is, in the evolution of the society . In this part of the world artists considered it their mission to do no less than to mould history, to substitute somehow for unrealizable political actions: thus to carry the charge of the Deed.

神化怪物

發(fā)展

個(gè)人長(zhǎng)篇演說(shuō)

運(yùn)動(dòng)的我

The Fickle Dialectic: Realism and the Cinematic Hero in Films from Socialist Europesocialist East or the capitalist West. It is in fact a specific version of the classical literary problem of the individual and the typical. From Charlie Chaplin to Ingmar Bergman and from Sergei Eisenstein to Andrzej Wajda one can find in the world of film many profound comments on the individual a

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