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Titlebook: Politics and Violence in Cuban and Argentine Theater; Katherine Ford Book 2010 Palgrave Macmillan, a division of Nature America Inc. 2010

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發(fā)表于 2025-3-21 19:55:15 | 只看該作者 |倒序?yàn)g覽 |閱讀模式
書(shū)目名稱(chēng)Politics and Violence in Cuban and Argentine Theater
編輯Katherine Ford
視頻videohttp://file.papertrans.cn/751/750417/750417.mp4
圖書(shū)封面Titlebook: Politics and Violence in Cuban and Argentine Theater;  Katherine Ford Book 2010 Palgrave Macmillan, a division of Nature America Inc. 2010
描述This book looks at Cuban and Argentine theater of the late 1960s and early 1970s to see how the idea of spectacle as violence was used to comment on and question the social and political violence that was unfolding offstage.
出版日期Book 2010
關(guān)鍵詞identity; stage; theatre
版次1
doihttps://doi.org/10.1057/9780230105225
isbn_ebook978-0-230-10522-5
copyrightPalgrave Macmillan, a division of Nature America Inc. 2010
The information of publication is updating

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發(fā)表于 2025-3-21 20:59:00 | 只看該作者
Overview: This book looks at Cuban and Argentine theater of the late 1960s and early 1970s to see how the idea of spectacle as violence was used to comment on and question the social and political violence that was unfolding offstage.978-0-230-10522-5
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https://doi.org/10.1057/9780230105225identity; stage; theatre
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,Disorderly Conduct: The Violence of Spectatorship in Griselda Gambaro’s , (1973),national newspaper accounts. Gambaro’s play is an avant-garde example of a theater that violently and unconventionally wants to show its spectators (and readers, in the case of this play) the worldview that it has discovered. Gambaro creates this alternative theatrical experience by stating that the
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