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Titlebook: Politics and Aesthetics of the Female Form, 1908-1918; Georgina Williams Book 2018 The Editor(s) (if applicable) and The Author(s) 2018 Wi

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發(fā)表于 2025-3-21 18:59:28 | 只看該作者 |倒序瀏覽 |閱讀模式
書目名稱Politics and Aesthetics of the Female Form, 1908-1918
編輯Georgina Williams
視頻videohttp://file.papertrans.cn/751/750363/750363.mp4
概述Examines the pictorial representation of women in Great Britain during the decade 1908-1918.Assesses the aesthetics related to suffrage, the First World War, advertising and art movements.Traces the g
圖書封面Titlebook: Politics and Aesthetics of the Female Form, 1908-1918;  Georgina Williams Book 2018 The Editor(s) (if applicable) and The Author(s) 2018 Wi
描述This book examines the pictorial representation of women in Great Britain both before and during the First World War. It focuses in particular on imagery related to suffrage movements, recruitment campaigns connected to the war, advertising, and Modernist art movements including Vorticism. This investigation not only considers the image as a whole, but also assesses tropes and constructs as objects contained within, both literal and metaphorical. In this way visual genealogical threads including the female figure as an ideal and William Hogarth’s?‘line of beauty‘ are explored, and their legacies assessed and followed through into the twenty-first century. Georgina Williams contributes to debates surrounding the deliberate and inadvertent dismissal of women’s roles throughout history, through literature and imagery. This book also considers how absence of a pictorial manifestation of the female form in visual culture can be as important as her presence.
出版日期Book 2018
關(guān)鍵詞William Hogarth; Line of Beauty; Art history; Suffragettes; First World War
版次1
doihttps://doi.org/10.1007/978-3-319-75729-2
isbn_softcover978-3-030-09311-2
isbn_ebook978-3-319-75729-2
copyrightThe Editor(s) (if applicable) and The Author(s) 2018
The information of publication is updating

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The Politics of Aesthetics and the Woman Question,he positioning of both pictorial and theoretical perspectives within a long genealogical chain. Within the associated imagery recurring motifs are considered, including the incorporation of a visual construct such as William Hogarth’s ..
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From Presence to Absence: Exploiting Female Sexuality in Visual Culture,ervers’ perceived perspectives. Because aesthetic stylings demonstrate apparent defeminisation of the feminine, particularly in Cubism and Vorticism, deliberate and inadvertent dismissal of women is also explored in this chapter, taking into account how a pictorial absence of the female figure is as important as her presence.
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Introduction: Women in the Frame,that surrounds it. In analysing recurring motifs and pictorial tropes as genealogical threads, the chapter also examines the concept of visible continua, particularly in respect of William Hogarth’s ..
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