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Titlebook: Political Theatre in Post-Thatcher Britain; New Writing, 1995-20 Amelia Howe Kritzer Book 2008 Palgrave Macmillan, a division of Macmillan

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樓主: Monomania
21#
發(fā)表于 2025-3-25 05:59:02 | 只看該作者
22#
發(fā)表于 2025-3-25 08:11:22 | 只看該作者
Intergenerational Dialogue,to develop and theatricalize their political perspectives. This dialogue, which confirms the importance of the generational transition while offering viewpoints from both sides of the generational divide, has created the dominant current in post-Thatcher political theatre.
23#
發(fā)表于 2025-3-25 11:54:08 | 只看該作者
Systems of Power, They suggest the potential for collective social power by locating strength and honour in particular identities. They also create awareness of society’s collective nature by providing specific contexts for the post-Thatcher mood of futility and by gesturing towards future possibilities.
24#
發(fā)表于 2025-3-25 19:38:01 | 只看該作者
25#
發(fā)表于 2025-3-25 20:17:21 | 只看該作者
26#
發(fā)表于 2025-3-26 03:17:30 | 只看該作者
27#
發(fā)表于 2025-3-26 06:10:45 | 只看該作者
Generational Politics: The In-yer-face Plays,ngry young men of the late 1950s than it did to the actual unfolding of events in the 1990s. However, it did create the condition for recognizing writers born around 1970 as a generational cohort, and it did encourage those writers to express their desires, fears, and anger in terms that can be identified with a particular historical moment.
28#
發(fā)表于 2025-3-26 11:10:30 | 只看該作者
Post-Thatcher Britain and Global Politics,ten the urgency of the issues, particularly in plays about asylum seekers in England. Some plays combine the outsider position and the sense of moral urgency to signal uncertainty regarding the truth of a situation and the best national response to it.
29#
發(fā)表于 2025-3-26 14:41:16 | 只看該作者
30#
發(fā)表于 2025-3-26 17:32:12 | 只看該作者
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