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Titlebook: Political Dandyism in Literature and Art; Genealogy of a Parad Geertjan de Vugt Book 2018 The Editor(s) (if applicable) and The Author(s) 2

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發(fā)表于 2025-3-21 16:38:11 | 只看該作者 |倒序?yàn)g覽 |閱讀模式
書(shū)目名稱Political Dandyism in Literature and Art
副標(biāo)題Genealogy of a Parad
編輯Geertjan de Vugt
視頻videohttp://file.papertrans.cn/751/750082/750082.mp4
概述Presents the first history from the dandy’s emergence up to the present.Follows the dandy throughout journalism, literature, visual art, philosophy, and political theory.Offers a multi-regional approa
叢書(shū)名稱Palgrave Studies in Modern European Literature
圖書(shū)封面Titlebook: Political Dandyism in Literature and Art; Genealogy of a Parad Geertjan de Vugt Book 2018 The Editor(s) (if applicable) and The Author(s) 2
描述This book traces a genealogy of political?dandyism in literature. Dandies abstain from worldly affairs, and politics in particular. As an enigmatic figure, or a being of great eccentricity, it was the dandy that haunted the literary and cultural imagination of the nineteenth century. In fact, the dandy is often seen as a quintessential nineteenth-century figure. It was surprising, then, when at the beginning of the twenty-first century this figure returned from the past to an unexpected place: the very heart of European politics. Various so-called populist leaders were seen as political dandies. But how could that figure that was once known for its aversion towards politics all of a sudden become the protagonist of a new political paradigm? Or was the dandy perhaps always already part of a political imagination? This study charts the emergence of this political paradigm. From the dandy’s first appearance to his latest resurrection, from Charles Baudelaire to Jean-Fran?ois Lyotard, from dandy-insects to a dandy-Christ, this book follows his various guises and disguises..
出版日期Book 2018
關(guān)鍵詞antebellum America; nineteenth-century Paris; fin-de-siècle Holland; Sweden; Great War; postmodernism; pop
版次1
doihttps://doi.org/10.1007/978-3-319-90896-0
isbn_softcover978-3-030-08125-6
isbn_ebook978-3-319-90896-0Series ISSN 2634-6478 Series E-ISSN 2634-6486
issn_series 2634-6478
copyrightThe Editor(s) (if applicable) and The Author(s) 2018
The information of publication is updating

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發(fā)表于 2025-3-21 23:14:14 | 只看該作者
978-3-030-08125-6The Editor(s) (if applicable) and The Author(s) 2018
板凳
發(fā)表于 2025-3-22 04:19:19 | 只看該作者
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,, the main protagonist of this political imagination. And Baudelaire, too, uses the insect metaphor to describe this figure. Dandies, the poet claims, are .. That is to say, dandies are ants turned into men, that try to build a future, harmonious community.
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發(fā)表于 2025-3-23 00:27:33 | 只看該作者
Twilights,gs of Paul Bourget and Maurice Barrès. Van Deyssel’s writings may appear to be in opposition with Baudelaire’s musings on dandyism; they are, however, phrased in exact same terms. Van Deyssel, too, hopes that the dandy, as the quintessential example of how one should live one’s life, promises a new, harmonious community.
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Senses of Community,icular traits of political dandyism this alleged form of populism contains. If Baudelaire wrote a treatise on the painter of modern life, and Lyotard a treatise on the painter of postmodern life, then Fortuyn wrote a treatise on the politician of contemporary life. And that politician could only be a political dandy.
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