| 書目名稱 | Photography and the Non-Place | | 副標(biāo)題 | The Cultural Erasure | | 編輯 | Jim Brogden | | 視頻video | http://file.papertrans.cn/747/746523/746523.mp4 | | 概述 | Constitutes the first book to critically investigate the notion of “non-place,” using of the author’s own urban landscape photography, as well as examples from world famous photographers.Posits non-pl | | 圖書封面 |  | | 描述 | This book presents a critical and aesthetic defence of “non-place” as an act of cultural reclamation. Through the restorative properties of photography, it re-conceptualises the cultural significance of non-place. The non-place is often referred to as “wasteland”, and is usually avoided. The sites investigated in this book are located where access and ownership are often ambiguous or in dispute; they are places of cultural forgetting. Drawing on the author’s own photographic research-led practice, as well as material from photographers such as Ed Ruscha, Joel Sternfeld and Richard Misrach, this study employs a deliberately allusive intertexuality to offer a unique insight into the contested notions surrounding landscape representation. Ultimately, it argues that the non-place has the potential to reveal a version of England that raises questions about identity, loss, memory, landscape valorisation, and, perhaps most importantly, how we are to arrive at a more meaningful place.?. | | 出版日期 | Book 2019 | | 關(guān)鍵詞 | urban; landscape; Memory; palimpsest; interdisciplinary discourse; representation; geography; culture; creat | | 版次 | 1 | | doi | https://doi.org/10.1007/978-3-030-03919-6 | | isbn_ebook | 978-3-030-03919-6 | | copyright | The Editor(s) (if applicable) and The Author(s) 2019 |
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