| 書目名稱 | Performance and Spectatorship in Edwardian Art Writing |
| 編輯 | Sophie Hatchwell |
| 視頻video | http://file.papertrans.cn/744/743839/743839.mp4 |
| 概述 | Explores the intersection between art history, literature, aesthetics and performance theory.Argues that we need to expand the range of texts we think of as art writing, incorporating texts that are o |
| 叢書名稱 | Bernard Shaw and His Contemporaries |
| 圖書封面 |  |
| 描述 | This book explores how Edwardian art writing shaped and narrated embodied, performative forms of aesthetic spectatorship. It argues that we need to expand the range of texts we think of as art writing, and features a diverse array of critical and fictional works, often including texts that are otherwise absent from art-historical study. Multi-disciplinary in scope, this book proposes a methodology for analyzing the aesthetic encounter within and through art writing, adapting and reworking a form of phenomenological-semiotic analysis found conventionally in performance studies. It focuses on moments where theories of spectatorship meet practice, moving between the varied spaces of Edwardian art viewing, from the critical text, to the lecture hall, the West End theatre and gallery, middle-class home, and fictional novel. It contributes to a rethinking of Edwardian culture by exploring the intriguing heterogeneity and self-consciousness of viewing practices in a period more commonly associated with the emergence of formalism.. |
| 出版日期 | Book 2019 |
| 關鍵詞 | Roger Fry; D S MacColl; George Bernard Shaw; Henry James; Max Beerbohm; T Martin Wood; Robert Ross; Aesthet |
| 版次 | 1 |
| doi | https://doi.org/10.1007/978-3-030-17024-0 |
| isbn_ebook | 978-3-030-17024-0Series ISSN 2634-5811 Series E-ISSN 2634-582X |
| issn_series | 2634-5811 |
| copyright | The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl |
|Archiver|手機版|小黑屋|
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