| 書目名稱 | Performance Studies and Negative Epistemology | | 副標(biāo)題 | Performance Apophati | | 編輯 | Claire Maria Chambers | | 視頻video | http://file.papertrans.cn/744/743822/743822.mp4 | | 概述 | Employs a radical, non-faith-based approach to religious studies and theology in order to explore performance.Interrogates the intersection between negative theology and performance.Explores what can | | 叢書名稱 | Performance Philosophy | | 圖書封面 |  | | 描述 | This book explores the intersection between apophaticism - negative theology - and performance. While apophaticism in literature and critical theory may have had its heyday in the heady debates about negative theology and deconstruction in the 1990s, negative ways of knowing and speaking have continued to structure conversations in theatre and performance studies around issues of embodiment, the non- and post-human, objects, archives, the ethics of otherness in intercultural research, and the unreadable and inaccessible in the work of minority artists. A great part of the history of apophaticism lies in mystic literature. With the rise of the New Age movement, which claimed historical mysticism as part of its genealogy, apophaticism has often been sidelined as spirituality rather than serious study..This book argues that the apophatic continues to exert a strong influence on the discourse and culture of Western literature and especially performance, and th.at by reassessing this ancient form of negative epistemology, artists, scholars, students, and teachers alike can more deeply engage forms of unknowing through what cannot be said and cannot be represented in language, on the sta | | 出版日期 | Book 2017 | | 關(guān)鍵詞 | negative theology; Western spirituality; Western religion; religious theatre; intercultural performance; | | 版次 | 1 | | doi | https://doi.org/10.1057/978-1-137-52044-9 | | isbn_ebook | 978-1-137-52044-9Series ISSN 2947-5589 Series E-ISSN 2057-7176 | | issn_series | 2947-5589 | | copyright | The Editor(s) (if applicable) and The Author(s) 2017 |
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