| 書目名稱 | Participatory Sound Art | | 副標(biāo)題 | Technologies, Aesthe | | 編輯 | Vadim Keylin | | 視頻video | http://file.papertrans.cn/742/741611/741611.mp4 | | 概述 | Addresses a major gap in the current sound art scholarship.Offers a survey of participatory sound art from its origins in the historical avant-gardes.Contributes to the growing fields of both sound st | | 叢書名稱 | Palgrave Studies in Sound | | 圖書封面 |  | | 描述 | This book addresses a major gap in sound art scholarship: the role of audience participation. It offers a survey of participatory sound art from its origins in the historical avant-gardes to the non-institutionalized forms of sonic creativity in contemporary digital culture. In doing so, it proposes an innovative theoretical framework for analysing such phenomena, rooted in Pragmatist aesthetics, affordance theory and postcritique. Combining artwork analyses with qualitative studies, it focuses on three principal aspects of participatory sound art: the ways the materialities of the artworks facilitate and structure the participatory processes; the interplay of the creative agencies of the artists and the participants; and the postcritical approach to sound art’s politics, unfolding through the participants’ affective gestures. In considering these multiple dimensions, this book contributes to the growing fields of sound studies and participation studies, as well as to curatorial practice regarding sound art and participatory art. | | 出版日期 | Book 2023 | | 關(guān)鍵詞 | sound and media art; sound design; interactive media; music technology; participatory art; participation | | 版次 | 1 | | doi | https://doi.org/10.1007/978-981-99-6357-7 | | isbn_ebook | 978-981-99-6357-7Series ISSN 2633-5875 Series E-ISSN 2633-5883 | | issn_series | 2633-5875 | | copyright | The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Singapor |
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