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Titlebook: Parents and Children in the Mid-Victorian Novel; Traumatic Encounters Madeleine Wood Book 2020 The Editor(s) (if applicable) and The Author

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發(fā)表于 2025-3-21 16:20:59 | 只看該作者 |倒序?yàn)g覽 |閱讀模式
書目名稱Parents and Children in the Mid-Victorian Novel
副標(biāo)題Traumatic Encounters
編輯Madeleine Wood
視頻videohttp://file.papertrans.cn/742/741282/741282.mp4
概述Argues that the mid-Victorian novel should be read as a key moment in the development of trauma as a psychological category in the nineteenth-century.Argues that the emergence of trauma in literature
圖書封面Titlebook: Parents and Children in the Mid-Victorian Novel; Traumatic Encounters Madeleine Wood Book 2020 The Editor(s) (if applicable) and The Author
描述.This book produces an original argument about the emergence of ‘trauma’ in the nineteenth-century through new readings of Dickens, Emily and Charlotte Bronte, Collins, Gaskell and Elliot. Madeleine Wood argues that the mid-Victorian novels present their protagonists in a state of damage, provoked and defined by the conditions of the mid-century family: the cross-generational relationship is presented as formative and traumatising. ?By presenting family relationships as decisive for our psychological state as well as our social identity, the Victorian authors pushed beyond the contemporary scientific models available to them. Madeleine Wood analyses the literary and historical conditions of the mid-century period that led to this new literary emphasis, and which paved the way for the emergence of psychoanalysis in Vienna at the .fin de siècle.. Analysing a series of theoretical texts, Madeleine Wood shows that psychoanalysis shares the mid-Victorian concern with the unequalrelationship between adult and child, focusing her reading through Freud’s early writings and Jean Laplanche’s ‘general theory of seduction’.?.
出版日期Book 2020
關(guān)鍵詞Trauma studies; Nineteenth century literature; Victorian Parent-child relationships; Charles Dickens; Ch
版次1
doihttps://doi.org/10.1007/978-3-030-45469-2
isbn_softcover978-3-030-45471-5
isbn_ebook978-3-030-45469-2
copyrightThe Editor(s) (if applicable) and The Author(s) 2020
The information of publication is updating

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沙發(fā)
發(fā)表于 2025-3-22 00:02:46 | 只看該作者
板凳
發(fā)表于 2025-3-22 01:08:37 | 只看該作者
Madeleine Woodhah mit Hilfe von auf den Kristallen selbst befestigten Spiegeln. Der Temperaturkoeffizient ist bei den Elastizit?tsmoduln gro?, bei den Torsionsmoduln kleiner. Indem er für die Elastizit?tsmoduln als konstant festgestellt wurde, konnten die von Voigt bei Zimmertemperatur gemessenen Elastizit?ts- un
地板
發(fā)表于 2025-3-22 04:53:50 | 只看該作者
Madeleine Woodhah mit Hilfe von auf den Kristallen selbst befestigten Spiegeln. Der Temperaturkoeffizient ist bei den Elastizit?tsmoduln gro?, bei den Torsionsmoduln kleiner. Indem er für die Elastizit?tsmoduln als konstant festgestellt wurde, konnten die von Voigt bei Zimmertemperatur gemessenen Elastizit?ts- un
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發(fā)表于 2025-3-22 11:11:08 | 只看該作者
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發(fā)表于 2025-3-22 13:26:37 | 只看該作者
Madeleine Woodcillen (T-B.) ausscheidet. Man erhoffte von ihrem Nachweis in den verschiedenen Ausscheidungsprodukten auf der einen Seite eine zuverl?ssige Hilfe bei der Diagnosestellung in F?llen, in denen klinischer Befund und Sputum-untersuchung im Stich lie?en; auf der andern Seite war es von gr??tem praktisch
7#
發(fā)表于 2025-3-22 17:51:45 | 只看該作者
Introduction, of Childhood’, which examines the importance of eighteenth-century philosophy and Romanticism to the mid-Victorians. The second frame, ‘Childhood and Memory’, focuses upon William Wordsworth’s ‘spots of time’ and Thomas De Quincey’s idea of the ‘palimpsest’. The third provides an overview of the de
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發(fā)表于 2025-3-22 21:40:50 | 只看該作者
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發(fā)表于 2025-3-23 02:02:27 | 只看該作者
,—Childhood Passions and Pathologies: , and ,od shows that parent-child traumatisation propels both novels, despite their radically different styles, and in each, family trauma is inseparable from ambivalence concerning modernity. The chapter is split into two readings: ‘The Primacy of the Child: The Ghostly Encounters of .’, and ‘Family Longi
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發(fā)表于 2025-3-23 09:30:11 | 只看該作者
,—Lost Children and ‘Primal Scenes’: The ‘Autobiographical Fragment’, , and ,bout the family and his narrative development: ‘Dickens and the autobiographical fragment: Memory and Writing’; ‘Paul Dombey’s Life, Death, and Afterlife: Traumatic Echoes in .’; and ‘Parental Substitutions and the Ethics of Guilt: .’. Wood shows that from . (1848) onwards Dickens represented childh
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