| 書目名稱 | Paradoxical Japaneseness |
| 副標(biāo)題 | Cultural Representat |
| 編輯 | Andrew Dorman |
| 視頻video | http://file.papertrans.cn/741/740888/740888.mp4 |
| 概述 | Explores the impact of transnational production practices in Japanese cinema.Provides insightful analysis of cultural representation in Japanese films.Features a range of textual and empirical analysi |
| 圖書封面 |  |
| 描述 | This book?offers insightful analysis of cultural representation in Japanese cinema of the early 21st century. The impact of transnational production practices on films such as?.Dolls. (2002), .Sukiyaki Western Django. (2007), .Tetsuo: The Bullet Man. (2009), and .13 Assassins .(2010) is considered through textual and empirical analysis. The author discusses contradictory forms of cultural representation – cultural concealment and cultural performance – and their relationship to both changing practices in the Japanese film industry and the global film market. Case studies take into account popular genres such as J Horror and jidaigeki period films, as well as the work of renowned filmmakers Takeshi Kitano, Takashi Miike, Shinya Tsukamoto and Kiyoshi Kurosawa. |
| 出版日期 | Book 2016 |
| 關(guān)鍵詞 | Japanese Cinema; Contemporary cinema; cultural representation; transnational; distribution; production; cu |
| 版次 | 1 |
| doi | https://doi.org/10.1057/978-1-137-55160-3 |
| isbn_ebook | 978-1-137-55160-3 |
| copyright | The Editor(s) (if applicable) and The Author(s) 2016 |
|Archiver|手機(jī)版|小黑屋|
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