Titlebook: Outlaws, Anxiety, and Disorder in Southern Africa; Material Histories o Rachel King Book 2019 The Editor(s) (if applicable) and The Author(

細(xì)胞學(xué)

Things of the Nation: Disorderly Heritage,public to drive a sense of belonging. King considers how future development schemes in Lesotho will impact the heritage of the Maloti-Drakensberg, arguing for an . that considers the consequences of research being used to justify industrial or policy positions.

companion

Un-Settled Encounters; or, if Walls Could Speak, disrupted. King argues that these models preclude identifying mobile, politically complex ways of living, and demonstrates this through archaeological survey and excavation data from the southern Maloti-Drakensberg. The chapter demonstrates a need to consider movement, architecture, and politics as interrelated.

Carbon-Monoxide

,‘Appetite comes with eating’: Of Raiding and Wrong-Doing,ationships between cattle hides, weaponry, and livestock management to demonstrate that raided animals commanded social and environmental knowledge from humans. King closes with suggestions to consider raiding violence as ambiguous, and also as potentially?related to performance and showmanship.

Confess

陶器

2635-1633 owing body of research on anxiety in the colonial imaginatio.This book explores how objects, landscapes, and architecture were at the heart of how people imagined outlaws and disorder in colonial southern Africa. Drawing on evidence from several disciplines, it chronicles how cattle raiders were cre

輕率看法

Introduction: The Slow Regard of Unruly Things,this literature—including anxiety, affect, and epistemic objects—that can be used to follow habits of what she calls ‘thinking archaeologically’ through the book. This chapter also offers notes on spelling, orthography, and nomenclature used in the book.

connoisseur

,‘Waste-howling wilderness’: The Maloti-Drakensberg as Unruly Landscape,tlaws. Through a study of the ‘Bushman raiding’ campaigns of 1845–1872, this chapter introduces a crucial tension between appearance and reality: not only were the mountains less primitive than they appeared to some, but one person’s dangerous wilderness could be another’s strategic hub.

減少

Persist, Resist: Rebellion in Slow Motion, but rooted in long-term experiences of raiding cattle in the Maloti-Drakensberg. The chapter demonstrates that rebellion could be a long process rather than a discrete event, and suggests that persistence could be a form of transgression.

Critical

使成核

Ginés Moreno,Jaime Penabad,Carlos Vázquezlayhouse FutureFest and a runner-up for the Kennedy Center American College Theatre Festival David Mark Cohen National Playwriting Award. .“The story is shocking; for me it was revelatory,” wrote theatre critic Pat Launer. “Deporting our own citizens? Who knew? But the play, while conveying historic