Titlebook: Othello; Peter Davison Textbook 1988Latest edition Macmillan Publishers Limited 1988 drama.genre.play.poem

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Dramatic convention and decorumlay in performance, a distorted, partial view of a dramatic work becomes only too common. This applies as much to critics as to students. The inverse can also, unfortunately, occur: theatre people may ignore or even be contemptuous of scholarship and criticism. It ought to be obvious that the most i

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Character and psychological criticism, Iago. The language of some critics in attacking those whose views they do not share has been at times personal and vituperative — no advertisement for a humane discipline. For some students this can distract the reader from matters of moment that such a critic might also be raising. Although such

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Introduction the great German author and critic, Schlegel (1767–1845), pointed out nearly two hundred years ago, Shakespeare’s ‘very depth of purpose’ has caused him to be particularly subject to misinterpretation. Shakespeare, said Lessing (1729–81), whom Schlegel quoted,

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The Critics Debatehttp://image.papertrans.cn/o/image/704971.jpg

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