Titlebook: Ost-West-Sprachgebrauch — zehn Jahre nach der Wende; Ingrid Kühn,Horst Dieter Schlosser,Ute Albersmann, Book 2001 Springer Fachmedien Wies

sustained

書(shū)目名稱(chēng)Ost-West-Sprachgebrauch — zehn Jahre nach der Wende影響因子(影響力)




書(shū)目名稱(chēng)Ost-West-Sprachgebrauch — zehn Jahre nach der Wende影響因子(影響力)學(xué)科排名




書(shū)目名稱(chēng)Ost-West-Sprachgebrauch — zehn Jahre nach der Wende網(wǎng)絡(luò)公開(kāi)度




書(shū)目名稱(chēng)Ost-West-Sprachgebrauch — zehn Jahre nach der Wende網(wǎng)絡(luò)公開(kāi)度學(xué)科排名




書(shū)目名稱(chēng)Ost-West-Sprachgebrauch — zehn Jahre nach der Wende被引頻次




書(shū)目名稱(chēng)Ost-West-Sprachgebrauch — zehn Jahre nach der Wende被引頻次學(xué)科排名




書(shū)目名稱(chēng)Ost-West-Sprachgebrauch — zehn Jahre nach der Wende年度引用




書(shū)目名稱(chēng)Ost-West-Sprachgebrauch — zehn Jahre nach der Wende年度引用學(xué)科排名




書(shū)目名稱(chēng)Ost-West-Sprachgebrauch — zehn Jahre nach der Wende讀者反饋




書(shū)目名稱(chēng)Ost-West-Sprachgebrauch — zehn Jahre nach der Wende讀者反饋學(xué)科排名

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by now increasingly technical and engaging with a variety of non-theological matters, ‘natural philosophers’ entertained the upper classes with physical or chemical experiments. This may sound a frivolous view of the sciences but it was not until the last decades of the eighteenth centuries, Porter

沉積物

脆弱吧

ur understanding of ‘classical’ cinema. Given the range of ways in which value can now be talked about in Film Studies (as this collection demonstrates), it is necessary to be upfront about fairly basic beliefs about the cinema as an art form as these by no means go without saying, at least not in t

inclusive

Wilfried Greckschur understanding of ‘classical’ cinema. Given the range of ways in which value can now be talked about in Film Studies (as this collection demonstrates), it is necessary to be upfront about fairly basic beliefs about the cinema as an art form as these by no means go without saying, at least not in t

得罪

Eckhard Naumann but has not achieved the status of a ‘great’ film director, at least with respect to certain forms of critical value, which will be explored through the course of this chapter. However, his design and directorial skills have garnered him two Oscar nominations, and many prestigious nominations and a

Asseverate

拖債

柳樹(shù)；枯黃

CHARM