Titlebook: Oscar Wilde and the Cultures of Childhood; Joseph Bristow Book 2017 The Editor(s) (if applicable) and The Author(s) 2017 Fairy stories.Ado

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Introduction: Oscar Wilde and the Cultures of Childhood,, later known as ., in which he speaks of the ways in which his incarceration reminded him that he was a child in the eyes of God. The second section provides an overview of the eight chapters that follow.

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,“Play[ing] Narcissus to a Photograph”: Oscar Wilde and the Image of the Child,. Wilde’s letters to the young Wilkinson reveal a pressing concern with the temptation to “play Narcissus to a photograph,” since the image onto which one projects one’s desires is also an image of oneself.

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2634-6494 is fairy stories to defending children‘s rights in the prisoThis is the first collection of critical essays that explores Oscar Wilde’s interest in children’s culture, whether in relation to his famous fairy stories, his life as a caring father to two small boys, his place as a defender of children’

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,Oscar Wilde’s Fairy Tales and the Evolution of Lying,ressed by fiction. But the tales also explode any simple dichotomy between science and art, for Wilde’s aestheticism, this chapter shows, grew out of his appreciation for evolutionary thinkers and their visions of human progress.

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,The Young Know Everything: Oscar Wilde’s Fairy Tales as Children’s Literature,mmon assumptions about the limited knowledge and ability of youngsters. Nodelman proposes instead to consider the tales in relation to his analysis in his book . of the conventional characteristics of children’s literature. His close readings of the tales explore how they both express those characteristics and offer ironic commentary on them.