| 書目名稱 | Oscar Wilde and Contemporary Irish Drama |
| 副標題 | Learning to be Oscar |
| 編輯 | Graham Price |
| 視頻video | http://file.papertrans.cn/705/704832/704832.mp4 |
| 概述 | Represents the first book-length study of the Wildean aesthetic in contemporary Irish drama.Examines an extensive range of Wilde’s writings (as opposed to merely his plays).Demonstrates that contempor |
| 圖書封面 |  |
| 描述 | This book is about the Wildean aesthetic in contemporary Irish drama. Through elucidating a discernible Wildean strand in the plays of?Brian Friel, Tom Murphy, Thomas Kilroy, Marina Carr and Frank McGuinness, it demonstrates that Oscar Wilde‘s importance to Ireland‘s theatrical canon is equal to that of?W. B. Yeats, J. M. Synge and Samuel Beckett. The study examines key areas of the Wildean aesthetic: his?aestheticizing of experience via language and self-conscious performance; the notion of the dandy in Wildean texts and how such a figure is engaged with in today‘s dramas; and how his?contribution to the concept of a ‘verbal theatre’ has?influenced his dramatic successors. It is of particular pertinence to?academics and postgraduate students in the fields of Irish drama and Irish literature, and for those interested in the work of Oscar Wilde, Brian Friel, Tom Murphy, Thomas Kilroy, Marina Carr and Frank McGuinness..okokpoj. |
| 出版日期 | Book 2018 |
| 關鍵詞 | Influence; Aesthetic; Allusion; Intertextuality; Verbal theatre; British and Irish Literature |
| 版次 | 1 |
| doi | https://doi.org/10.1007/978-3-319-93345-0 |
| isbn_softcover | 978-3-030-40495-6 |
| isbn_ebook | 978-3-319-93345-0 |
| copyright | The Editor(s) (if applicable) and The Author(s) 2018 |
|Archiver|手機版|小黑屋|
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