Titlebook: Oscar Wilde Eros and Aesthetics; Patricia Flanagan Behrendt Book 1991 Patricia Flanagan Behrendt 1991 aesthetics.drama.eros.poetry.stage.s

IST

Sexual Drama in the Early Poetry, allow himself to be broken on the public wheel of scandal which he could have avoided? The puzzle is exaggerated by our general tendency to exalt artistic and intellectual achievements, elevating them above other aspects of human behavior, especially above those associated with sexual activity which society labels scandalous.

種屬關系

Book 1991st volume of poetry through the social comedies which highlighted his career. In addition, the study considers the earliest critical responses to Wilde‘s works, since they reveal how references to sexual subject matter, particularly to homoerotic themes, were received in Wilde‘s own period.

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The Dandy ,: Homosexual Eros and the London Stage,orbed intellectual exchange in the dialogues reveals his preoccupation with the Classical concept of Eros throughout the phases of his aesthetic development. However, Wilde’s distinct treatments of heterosexual and homosexual themes suggests that variations on the nature of the theme of Eros emerge throughout his work.

態(tài)學

Baffle

Eroticism and the Dialogic Form,ior to his marriage to Constance Lloyd on 29 May 1884. The retrospective insights of literary analysis — which reveal a homoeroticized and often joyous search for self-knowledge contrasted with a deeply pessimistic view of the attractions and repulsions of heterosexuality — suggest the paradoxical nature of Wilde’s entry into marriage.

辯論

the earliest volume of poetry through the social comedies which highlighted his career. In addition, the study considers the earliest critical responses to Wilde‘s works, since they reveal how references to sexual subject matter, particularly to homoerotic themes, were received in Wilde‘s own period

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,Sexuality and Death: The Fate of Wilde’s Heterosexual Lovers,is actual homeland — Ireland — and his adopted homeland — England — offered equally timely subject matter, had he dared to treat it. Concern for his budding career surely made him reluctant to risk antagonizing the English audiences which he hoped ultimately to attract. In fact, with his second dram

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