Titlebook: Oral History, Oral Culture, and Italian Americans; Luisa Del Giudice Book 2009 Luisa Del Giudice 2009 Ellis Island.Great Depression.histor

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Michael Di Virgiliozation and re-mythologization of World War II memories. The book focuses on the three Slavic countries of post-Soviet Eastern Europe – Russia, Ukraine and Belarus –?the epicentre of Soviet war suffering, and the heartland of the Soviet war myth.?The collection?gives insight into the persistence of t

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Herbivorous

Condense

Vo2-Max

zation and re-mythologization of World War II memories. The book focuses on the three Slavic countries of post-Soviet Eastern Europe – Russia, Ukraine and Belarus –?the epicentre of Soviet war suffering, and the heartland of the Soviet war myth.?The collection?gives insight into the persistence of t

Organonitrile

What Makes Oral History Different has been almost swallowed up by the airport. And I had this wonderful experience of being an Italian in Los Angeles. Part of this was listening to the Italian radio station from “. San Pedro” on Sundays. Every Italian boy lives the day of Sunday in anxiety, waiting for the soccer results. The great

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Oral Histories of Italian Americans in the Great Depressionto creating the Democratic majority that dominated U.S. politics for two decades until the Republican Party regained the White House with Dwight D. Eisenhower in 1952. The timing in the shift of the political allegiance of Italian Americans from the GOP to the Democratic Party during the interwar ye

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Breaking the Code of Silence Woman to Womaner fifty-one-year-old Sicilian American niece. On her morning errands, my cousin Cettina had driven me in her small Fiat to our aunt’s house. Aunt Rosina had just bought a half-bushel of artichokes from a street vendor. Her doctor had warned her against the effort of preserving food due to a heart c

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Twice-Told Talesexperiences of others as sources for their writings. This is also true of artists. I here share some of my visual work, which draws on stories I was told as a child, as well as several large exhibitions that I created, incorporating oral histories found in the archives of the Tenement Museum and the

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Cantastorieciences and the humanities have pointed to the lack of theorization on the subject of video documentation. Noting how ethnography has long been engaged with technology, folklorist Robert Baron argues recording technologies are too often viewed only as devices for the mechanical transcription of soci