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Titlebook: Oral History, Community, and Displacement; Imagining Memories i Sean Field Book 2012 Sean Field 2012 Africa.Case Studies.emotion.experience

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發(fā)表于 2025-3-21 16:19:36 | 只看該作者 |倒序?yàn)g覽 |閱讀模式
書目名稱Oral History, Community, and Displacement
副標(biāo)題Imagining Memories i
編輯Sean Field
視頻videohttp://file.papertrans.cn/704/703544/703544.mp4
叢書名稱Palgrave Studies in Oral History
圖書封面Titlebook: Oral History, Community, and Displacement; Imagining Memories i Sean Field Book 2012 Sean Field 2012 Africa.Case Studies.emotion.experience
描述This book uses oral history methodology to record stories of people who experienced the brunt of racist forced removals in the city of Cape Town, South Africa. Through life stories and community case studies, it traces the human impact of this disruptive, often violent feature of apartheid‘s social engineering.
出版日期Book 2012
關(guān)鍵詞Africa; Case Studies; emotion; experience; history; history of literature; identity; interpret; memory; metho
版次1
doihttps://doi.org/10.1057/9781137011480
isbn_softcover978-1-349-29178-6
isbn_ebook978-1-137-01148-0Series ISSN 2731-5673 Series E-ISSN 2731-5681
issn_series 2731-5673
copyrightSean Field 2012
The information of publication is updating

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沙發(fā)
發(fā)表于 2025-3-21 21:39:50 | 只看該作者
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Imagining Communitiesrofoundly scarred by apartheid government policies of 1948 to 1994, which sys-temically legalized white domination through the racial registration, separation, and control of all South Africans. These scars are visible in the sites of forced removals and racist reengineering of the entire city. Draw
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發(fā)表于 2025-3-23 02:27:21 | 只看該作者
“There Your Memory Runs Like a Camera Back”arguing for an equal epistemological status— within oral history methodology and historiography—for both sound recording and audiovisual recording of interviews. Various writers have compared the strengths and limitations of using these differing recording technologies, but comparison is not my inte
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發(fā)表于 2025-3-23 07:07:45 | 只看該作者
“Others Killed in My Eyes”, interviewees experienced flashback images of violence. Several authors have argued that this unstable imagery resists integration into memory.. If this interpretation is correct, what are the implications for both memory and oral history practice?
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