| 書(shū)目名稱 | Opera House Acoustics Based on Subjective Preference Theory |
| 編輯 | Yoichi Ando |
| 視頻video | http://file.papertrans.cn/702/701961/701961.mp4 |
| 概述 | Examines the balance of a vocal source on the stage and music in the orchestra pit.Shares recommended visions on the stage blending with opera.Proposes a new type of opera house acoustics.Includes sup |
| 叢書(shū)名稱 | Mathematics for Industry |
| 圖書(shū)封面 |  |
| 描述 | .This book focuses on opera house acoustics based on subjective preference theory; it targets researchers in acoustics and vision who are working in physics, psychology and brain physiology. This book helps readers to understand any subjective attributes in relation to objective parameters based on the powerful and workable model of the auditory system..It is?reconfirmed here that the well-known Helmholtz theory, which was based on a peripheral model of the auditory system, may not well describe pitch, timbre and duration as well as the spatial sensations described in this book, nor overall responses such as subjective preference of sound fields and the annoyance of environmental noise.. |
| 出版日期 | Book 2015 |
| 關(guān)鍵詞 | Blending Vision and Sound; Blending Vocal on the Stage with Music in the Pit; Model of Signal Processi |
| 版次 | 1 |
| doi | https://doi.org/10.1007/978-4-431-55423-3 |
| isbn_softcover | 978-4-431-56417-1 |
| isbn_ebook | 978-4-431-55423-3Series ISSN 2198-350X Series E-ISSN 2198-3518 |
| issn_series | 2198-350X |
| copyright | The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Japan KK |
|Archiver|手機(jī)版|小黑屋|
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