Titlebook: On the Performance Front; US Theatre and Inter Charlotte M. Canning Book 20151st edition The Editor(s) (if applicable) and The Author(s) 20

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2947-4949 ionalism as a way to realize a better world and as part of the strategic reform of the theatre into a national expression. Live performance, theatre internationalists argued, could represent and reflect the nation like no other endeavour.978-1-349-58890-9978-1-137-54330-1Series ISSN 2947-4949 Series

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Onstage II: ,, 1949,f . which he had directed, starred in and co-produced. The production had played at the Elsinore Festival in Denmark and at US military bases in occupied Germany. “The sad thing about our trip to Germany as we heard continually from the Military Company there and is being echoed by the State Departm

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,Onstage III: ,, 1952–1956,e thrilling intensity of the show had faded. In 2010 she told Michele Martin, the host of the National Public Radio show ., that she never regretted declining a Broadway show written by composer and lyricist Harold Arlen and writer Truman Capote to tour with the Everyman Company. “The producers of .