Titlebook: On the Aesthetics of Roman Ingarden; Interpretations and Bohdan Dziemidok,Peter McCormick Book 1989 Kluwer Academic Publishers 1989 aesthe

Spouse

書目名稱On the Aesthetics of Roman Ingarden影響因子(影響力)




書目名稱On the Aesthetics of Roman Ingarden影響因子(影響力)學(xué)科排名




書目名稱On the Aesthetics of Roman Ingarden網(wǎng)絡(luò)公開度




書目名稱On the Aesthetics of Roman Ingarden網(wǎng)絡(luò)公開度學(xué)科排名




書目名稱On the Aesthetics of Roman Ingarden被引頻次




書目名稱On the Aesthetics of Roman Ingarden被引頻次學(xué)科排名




書目名稱On the Aesthetics of Roman Ingarden年度引用




書目名稱On the Aesthetics of Roman Ingarden年度引用學(xué)科排名




書目名稱On the Aesthetics of Roman Ingarden讀者反饋




書目名稱On the Aesthetics of Roman Ingarden讀者反饋學(xué)科排名

eulogize

Proclaim

The Sculptural Work of Art,. For although he carefully avoided giving too blatant an impression of being involved in systematic theory construction, out of the diversity of his inquiries into central art forms emerges a beautifully appointed aesthetic theory. And this theory could no more be his than if it carried with it his personal imprimatur.

同謀

Ingarden, Inscription, and Literary Ontology,citly and repeatedly rejects from the ontological make-up of the literary work of art. I refer to the visual or graphic dimension of the literary work; and I mean by this not the visual imagery which the work’s words evoke, by simply the written, printed, or (as we shall for convenience generally denote it) the inscribed form of the text.

Exposition

Ingarden on the Theatre,tional value are exceptional. The ideas expressed in both articles are the main subject of my considerations, although Ingarden also dealt with the question of drama and of theatrical performance in many other places in his book, considering them from various angles..

楓樹

拱墻

https://doi.org/10.1007/978-94-009-2257-0aesthetics; bibliography; comparative; concept; death; interpret; literary studies; metaphysics; ontology; or

cartilage

束縛

The Work of Art and Aesthetic Categories According to Ingarden, work of art. Most modern aesthetic theories seem to share this conviction. However, the explanation of artistic values through the operation of a certain kind of object (works of art) leads to unexpected and even paradoxical results, which appear even in competent and conscientious studies.

牽索