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Titlebook: On Replacement; Cultural, Social and Jean Owen,Naomi Segal Book 2018 The Editor(s) (if applicable) and The Author(s) 2018 Personal Haunting

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31#
發(fā)表于 2025-3-26 23:32:44 | 只看該作者
Replacement, renewal and redundancyevertheless, mortality ensures that in producing children we still practise self-replacement as renewal. The values attached to this kind of production are in revealing tension with attitudes to other kinds of production by which modern societies maintain themselves.
32#
發(fā)表于 2025-3-27 03:27:31 | 只看該作者
: replacement and its ripples of sibling rivalryctive?– and each other’s?– fathers. As they develop into womanhood, the competition grows increasingly destructive. The chapter draws attention to the wretched human economics of desire and desirability in this tragic tale of familial rearrangement.
33#
發(fā)表于 2025-3-27 08:21:48 | 只看該作者
Artificial intelligence and synthetic humans: loss and replacementat oppose transhumanist values. It also demonstrates how such tendencies resemble similar reactions to early photography, particularly since photographs of dead children appear frequently in these films.
34#
發(fā)表于 2025-3-27 12:43:58 | 只看該作者
35#
發(fā)表于 2025-3-27 14:28:08 | 只看該作者
36#
發(fā)表于 2025-3-27 21:42:07 | 只看該作者
Introduction,ke over their child or career. Does the fear of being replaced begin in infancy, or do jealous siblings take an intellectual step forward? Do replacement children always veer towards genius or madness? This book takes a vast theme in a multitude of directions.
37#
發(fā)表于 2025-3-28 01:13:39 | 只看該作者
‘An eye for an eye’ or ‘a(chǎn) mile to a mile’: versions of replacementguilt, intense jealousy or hopelessness. Similarly, the impossibility of exact replacement does not console any of the actors in the triangle of sexual rivalry; serial monogamy leaves many bodies behind. We end with Mrs de Winter cutting flowers in Rebecca’s garden.
38#
發(fā)表于 2025-3-28 02:06:38 | 只看該作者
39#
發(fā)表于 2025-3-28 06:18:04 | 只看該作者
40#
發(fā)表于 2025-3-28 10:36:23 | 只看該作者
The metaphysics of replacement in photoplay novels of immigrationhe making of an American self, and a version of the New Woman. Their reading as replacement narratives reveals irreconcilable geographies of the new and the old world and the presentations of a gendered immigrant self that paralleled Yezierska’s own condition of incomplete ‘replacement’.
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