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Titlebook: On Popular Music and Its Unruly Entanglements; Nick Braae,Kai Arne Hansen Book 2019 The Editor(s) (if applicable) and The Author(s) 2019 P

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發(fā)表于 2025-3-21 16:55:07 | 只看該作者 |倒序瀏覽 |閱讀模式
書目名稱On Popular Music and Its Unruly Entanglements
編輯Nick Braae,Kai Arne Hansen
視頻videohttp://file.papertrans.cn/702/701051/701051.mp4
概述Provides fresh takes on familiar material and addresses some of the assumptions and conventions that exist around researching particular aspects of popular music.Demonstrates that the boundaries betwe
叢書名稱Pop Music, Culture and Identity
圖書封面Titlebook: On Popular Music and Its Unruly Entanglements; Nick Braae,Kai Arne Hansen Book 2019 The Editor(s) (if applicable) and The Author(s) 2019 P
描述.On Popular Music and Its Unruly Entanglements.?comprises eleven essays that explore the myriad ways in which popular music is entwined within social, cultural, musical, historical, and media networks. The authors discuss genres as diverse as mainstream pop, hip hop, classic rock, instrumental synthwave, video game music, amateur ukelele groups, and audiovisual remixes, while also considering the music’s relationship to technological developments, various media and material(itie)s, and personal and social identity. The collection presents a range of different methodologies and theoretical positions, which results in an eclecticism that aptly demonstrates the breadth of contemporary popular music research. The chapters are divided into three major sections that address: wider theoretical and analytical issues (“Broad Strokes”), familiar repertoire or concepts from a new perspective (“Second Takes”), and the meanings to arise from music’s connections with other media forms (“Audiovisual Entanglements”)..
出版日期Book 2019
關(guān)鍵詞Popular Music Research; Popular Music Analysis; Popular Music Space; Musicological Methodology; Musicolo
版次1
doihttps://doi.org/10.1007/978-3-030-18099-7
isbn_softcover978-3-030-18101-7
isbn_ebook978-3-030-18099-7Series ISSN 2634-6613 Series E-ISSN 2634-6621
issn_series 2634-6613
copyrightThe Editor(s) (if applicable) and The Author(s) 2019
The information of publication is updating

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發(fā)表于 2025-3-21 20:42:17 | 只看該作者
Timbre, Genre, and Polystylism in ail how timbre, as a musical parameter separate from instrumentation, can evoke specific intertextual and extramusical associations. In doing this, I will show how study of timbre might inform and enhance analyses of genre, both within video game music and more broadly.
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發(fā)表于 2025-3-22 01:40:26 | 只看該作者
Book 2019 cultural, musical, historical, and media networks. The authors discuss genres as diverse as mainstream pop, hip hop, classic rock, instrumental synthwave, video game music, amateur ukelele groups, and audiovisual remixes, while also considering the music’s relationship to technological developments
地板
發(fā)表于 2025-3-22 06:53:00 | 只看該作者
Narrativizing Recorded Popular Songerior of an experiencing consciousness. These forms of narrativization are illustrated with examples that explore the contributions of lyrical information relayed by a persona, notated details, and the art of record production.
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發(fā)表于 2025-3-22 13:51:40 | 只看該作者
Carpenter Brut and the Instrumental Synthwave Personagure/environment approach that draws parallels between popular music and film in order to establish a working model of instrumental personae that takes into account not only the main persona of the music-maker, but also the distinct personae that each instrument creates on a track.
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發(fā)表于 2025-3-23 03:02:14 | 只看該作者
Electric Affinities: Jimi Hendrix, Richard Wagner, and the Thingness of Soundis heard, felt, or experienced. The article is also an experiment in historiography, in the sense that it tries to show how two historical moments can throw light on each other through a juxtaposition, as well as the role of vocabulary in such a juxtaposition.
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發(fā)表于 2025-3-23 07:54:48 | 只看該作者
2634-6613 ects of popular music.Demonstrates that the boundaries betwe.On Popular Music and Its Unruly Entanglements.?comprises eleven essays that explore the myriad ways in which popular music is entwined within social, cultural, musical, historical, and media networks. The authors discuss genres as diverse
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