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Titlebook: On Lightness in World Literature; Bede Scott Book 2013 Palgrave Macmillan, a division of Nature America Inc. 2013 English literature.liter

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發(fā)表于 2025-3-21 17:52:20 | 只看該作者 |倒序?yàn)g覽 |閱讀模式
書目名稱On Lightness in World Literature
編輯Bede Scott
視頻videohttp://file.papertrans.cn/702/701021/701021.mp4
圖書封面Titlebook: On Lightness in World Literature;  Bede Scott Book 2013 Palgrave Macmillan, a division of Nature America Inc. 2013 English literature.liter
描述Despite the apparent ubiquity of light literature, and despite the greater cultural prestige it has been afforded in recent decades, very little has been written on the adjective that actually defines this category. What, precisely, does it signify, and what are some of the key strategies by which the effect of lightness is achieved within literary discourse? In this original and engaging study, Bede Scott explores the aesthetic quality of lightness as demonstrated by a diverse range of narratives – spanning four different centuries and five different countries. In each case, he focuses on a specific ‘type‘ of lightness, whether it be the refined triviality of Sei Shonagon‘s?.Pillow Book., the ludic tendencies of Joaquim Maria Machado de Assis‘?.Posthumous Memoirs of Brás Cubas., or the ‘exhilarating and primitive vitality‘ of Voltaire‘s .Candide.. By bringing together such disparate sources, Scott makes a strong case for the universality of this particular aesthetic value, while also subjecting its underlying structural features to close critical scrutiny..? ?.? ? ??.
出版日期Book 2013
關(guān)鍵詞English literature; literature; Narrative; Voltaire; world literature
版次1
doihttps://doi.org/10.1057/9781137346841
isbn_softcover978-1-349-46930-7
isbn_ebook978-1-137-34684-1
copyrightPalgrave Macmillan, a division of Nature America Inc. 2013
The information of publication is updating

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Superficiality,newspaper’s readers were told, Hain had spent several years studying “social conditions” in Japan. As his interests were “chiefly literary,” however, he had also “made a careful study of Japanese literature, and [had] arrived at some interesting conclusions on the subject.” These conclusions were as
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Triviality,of world literature were produced: Sei Shonagon’s . (.) and Murasaki Shikibu’s . (.). Although my focus in this chapter will be on the first of these, I would like to begin by comparing the two, for the contrast between their dominant affective qualities—between the joyful inconsequentiality of the
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Bede Scottnion why this silencing occurs. First, international opinion demands that the society examine the abuses of the past; but residents fear that an examination will disrupt the peace and their reputation as a model for the world. A second related problem is that delving into the past, no matter how imp
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