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Titlebook: Offstage Space, Narrative, and the Theatre of the Imagination; William Gruber Book 2010 William Gruber 2010 imagination.play.space.stage.t

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發(fā)表于 2025-3-23 11:11:03 | 只看該作者
Offstage Space, Narrative, and the Theatre of the Imagination978-0-230-10564-5
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發(fā)表于 2025-3-23 15:50:32 | 只看該作者
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發(fā)表于 2025-3-23 18:42:24 | 只看該作者
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發(fā)表于 2025-3-24 03:15:08 | 只看該作者
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發(fā)表于 2025-3-24 09:37:13 | 只看該作者
nineteenth century, women’s colleges such as Girton played a significant role in improving girls’ education. In its early years, women often came to Girton underprepared for university studies, particularly in mathematics. Determined to prove their merit, women at Girton found creative ways to hone
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發(fā)表于 2025-3-24 12:53:32 | 只看該作者
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發(fā)表于 2025-3-24 21:08:15 | 只看該作者
Introduction: Sights Unseen,ly as “gentlemen” come on stage to give a retrospective account of that joyful meeting. Superficially the scene is a thinly dramatized narrative of events which have taken place recently off stage; many find it odd that Shakespeare chose to tell about the reunion rather than show it, and for this re
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發(fā)表于 2025-3-25 02:41:19 | 只看該作者
Showing vs. Telling,events such as the slaughter of Clytemnaestra or the dismemberment of Pentheus, the messenger is one of the best-known conventions of ancient drama. One of the best-known and yet also one of the most hackneyed: the messengers’ elaborate narratives of disaster figured so prominently in ancient traged
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