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Titlebook: Of Essence and Context; Between Music and Ph Rūta Stanevi?iūt?,Nick Zangwill,Rima Povilionien? Book 2019 Springer Nature Switzerland AG 201

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31#
發(fā)表于 2025-3-27 00:21:28 | 只看該作者
978-3-030-14473-9Springer Nature Switzerland AG 2019
32#
發(fā)表于 2025-3-27 02:02:27 | 只看該作者
Of Essence and Context978-3-030-14471-5Series ISSN 2510-442X Series E-ISSN 2510-4438
33#
發(fā)表于 2025-3-27 07:47:13 | 只看該作者
34#
發(fā)表于 2025-3-27 10:25:40 | 只看該作者
35#
發(fā)表于 2025-3-27 16:13:02 | 只看該作者
The Biological Constraints on Musical Structure as the Foundations of Musical Essence are music specific phenomena. It is therefore proposed that musical essence is based on a perceptive bias that is the result of the evolution of . and that musical essence lies in the organization of the human brain.
36#
發(fā)表于 2025-3-27 18:13:47 | 只看該作者
37#
發(fā)表于 2025-3-27 23:58:20 | 只看該作者
38#
發(fā)表于 2025-3-28 03:29:43 | 只看該作者
On the Role of Intonation in Music and Communication Practicess modes of social interaction. It is seen as a unique type of social communication, through which information about the psycho-emotional life of people is transmitted more clearly and holistically than through verbal communication.
39#
發(fā)表于 2025-3-28 08:07:27 | 只看該作者
40#
發(fā)表于 2025-3-28 12:44:18 | 只看該作者
as the Source of Beauty in Musicnt of quadrivium phenomena, the commonalities between musical and mathematical terminology and actions as well as the systematization of constructive and semantic composing of music in the 20th–21st centuries.
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